Second Time Around – From Art House to DVD
Autor D. A. Milleren Limba Engleză Paperback – 25 mar 2021
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 197.97 lei 6-8 săpt. | |
| Columbia University Press – 25 mar 2021 | 197.97 lei 6-8 săpt. | |
| Hardback (1) | 559.64 lei 6-8 săpt. | |
| Columbia University Press – 25 mar 2021 | 559.64 lei 6-8 săpt. |
Preț: 197.97 lei
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Specificații
ISBN-13: 9780231195591
ISBN-10: 0231195591
Pagini: 224
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.32 kg
Editura: Columbia University Press
ISBN-10: 0231195591
Pagini: 224
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.32 kg
Editura: Columbia University Press
Notă biografică
D. A. Miller
Cuprins
Part I. Second Thoughts
1. The Cinematheque Today
2. The Second Time Around
Part II. Second Times
3. Sansho the Bailiff (1954)
4. Cruising (1980)
5. Berlin Alexanderplatz (1983)
6. Bonnie and Pierrot
7. Rocco and His Brothers (1960)
8. Vertigo (1958)
9. La Ronde (1950)
10. The H-Man (1958)
11. French Hitchcock
12. ¿Toby Dammit¿ (1969)
13. Chabarthes: Chabrol, Le Beau Serge; Barthes, ¿Cinema Right and Left¿
14. Medea (1970)
15. Last Time Around: The Birds (1963)
Acknowledgments
1. The Cinematheque Today
2. The Second Time Around
Part II. Second Times
3. Sansho the Bailiff (1954)
4. Cruising (1980)
5. Berlin Alexanderplatz (1983)
6. Bonnie and Pierrot
7. Rocco and His Brothers (1960)
8. Vertigo (1958)
9. La Ronde (1950)
10. The H-Man (1958)
11. French Hitchcock
12. ¿Toby Dammit¿ (1969)
13. Chabarthes: Chabrol, Le Beau Serge; Barthes, ¿Cinema Right and Left¿
14. Medea (1970)
15. Last Time Around: The Birds (1963)
Acknowledgments
Descriere
Descriere de la o altă ediție sau format:
In Second Time Around, D. A. Miller seizes the opportunity of DVDs and streaming media; across thirteen essays, he watches digitally restored films by directors from Mizoguchi to Pasolini and from Hitchcock to Honda, looking to find not only what he first saw in them but also what he was then kept from seeing.
In Second Time Around, D. A. Miller seizes the opportunity of DVDs and streaming media; across thirteen essays, he watches digitally restored films by directors from Mizoguchi to Pasolini and from Hitchcock to Honda, looking to find not only what he first saw in them but also what he was then kept from seeing.