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Seeing Christ in Australia Since 1850 de Kerrie Handasyde

Seeing Christ in Australia Since 1850: Histories of the Sacred and Secular, 1700–2000

Editat de Kerrie Handasyde, Sean Winter
en Limba Engleză Hardback – 12 oct 2024
This book presents cultural representations of Christ embedded in the imagination and the contested myths of Australian life.  The essays attest to the variety and subtlety of neglected or unspoken representations of Christ in Australia. In a land that has often declared itself secular or post-Christian, this volume looks into the Australian imagination, in between the sacred and secular, to see Christ in Australia.
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Specificații

ISBN-13: 9783031656781
ISBN-10: 3031656784
Pagini: 256
Ilustrații: Approx. 255 p. 12 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.43 kg
Ediția:2024
Editura: Springer Nature Switzerland
Colecția Palgrave Macmillan
Seria Histories of the Sacred and Secular, 1700–2000

Locul publicării:Cham, Switzerland

Cuprins

PART I: FOUNDING MYTHS.- ​1. Christ as Story Teller; Alison Overeem.- 2. Christ as Lost Innocent; Kerrie Handasyde.- 3. Christ as Outlaw; Glen O’Brien.- 4. Christ as Anzac; Kyle Moffitt.- 5. Christ as Worker; Katharine Massam.- PART II: CONTEMPORARY SIGHTINGS.- 6. Christ as Social Conscience; Amanda Burritt.- 7. Christ as Princess of Pop; Rebekah Pryor.- 8. Christ as Strange(r): Christological Soundings in Australian Art; Jason Goroncy.- 9. Christ as Outsider: Queer Christology and the Catholic Imagination of Justin O'Brien; Alana Harris.- 10. Christ as Son and Brother: Jesus in Christos Tsiolka's Damascus; Sean Winter.- 11. Christ as Saviour of the West; Geoff Thompson.

Notă biografică

Kerrie Handasyde is Academic Dean and Associate Professor History of Christianity at Pilgrim Theological College, University of Divinity, Australia.
Sean Winter is Head of College and Associate Professor of New Testament at Pilgrim Theological College, University of Divinity, Australia.

Textul de pe ultima copertă

‘Using the common lens of storytelling, Seeing Christ in Australia Since 1850 presents a rich and diverse collection of essays that trace the multifaceted presences of Jesus in culture. The essays are provocative and thoughtful, surveying an impressive range of cultural work. I learned a lot from the book, and I hope it receives the widest possible audience.’
     -- Philip Jenkins, Distinguished Professor of History, Baylor University, USA
 
‘This is an extraordinary, and overwhelmingly successful, attempt to “see” the Christ figure in the contemporary culture of Australia. The editors have skilfully brought together contributors who exemplify their claim that there is something distinctive about Australian “sightings” of Christ, characterized by an elusiveness that defies domestication. The result is a fascinating, well-documented and highly original volume, essential reading not only for those interested in Australian religion, but for all who want to learn how to see the form of the Christ in the modern world.’
     --  Paul S. Fiddes, Professor of Systematic Theology, University of Oxford, UK
 
This book presents cultural representations of Christ embedded in the imagination and the contested myths of Australian life.  The essays attest to the variety and subtlety of neglected or unspoken representations of Christ in Australia. In a land that has often declared itself secular or post-Christian, this volume looks into the Australian imagination, in between the sacred and secular, to see Christ in Australia.
 
Kerrie Handasyde is Academic Dean and Associate Professor History of Christianity at Pilgrim Theological College, University of Divinity, Australia.
 
Sean Winter is Head of College and Associate Professor of New Testament at Pilgrim Theological College, University of Divinity, Australia.
 

Caracteristici

Provides new perspectives on the reception of Christ beyond the church in Australian culture and history Makes an important contribution to the articulation of an Australian understanding of Jesus Christ Challenges assumptions about the relationship between sacred and secular in the Australian context