Shakespeare and Commedia dell'Arte: Play by Play
Autor Artemis Preeshlen Limba Engleză Paperback – 13 iun 2017
Exploring the influence of commedia dell’arte improvisation, sight gags, and wordplay on the development of Shakespeare’s plays, Artemis Preeshl blends historical research with extensive practical experience to demonstrate how these techniques might be applied when producing some of Shakespeare's best-known works today. Each chapter focuses on a specific play, from A Midsummer Night’s Dream to The Winter’s Tale, drawing out elements of commedia dell’arte style in the playscripts and in contemporary performance.
Including contemporary directors’ notes and interviews with actors and audience members alongside Elizabethan reviews, criticism, and commentary, Shakespeare and Commedia dell’Arte presents an invaluable resource for scholars and students of Renaissance theatre.
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| Taylor & Francis – 13 iun 2017 | 353.59 lei 6-8 săpt. | |
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| Taylor & Francis – 13 iun 2017 | 998.38 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781138651180
ISBN-10: 1138651184
Pagini: 320
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138651184
Pagini: 320
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
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Public țintă
Postgraduate and UndergraduateCuprins
Preface
Introduction
Cast of Characters
Chapter 1: Italian Influences on Shakespeare and his Contemporaries
Chapter 2: Commedia dell’Arte in Italian and English Comedies
Chapter 3: Commedia dell’arte in A Midsummer Night’s Dream
Chapter 4: Commedia dell’arte in The Comedy of Errors
Chapter 5: Commedia dell’arte in The Merchant of Venice
Chapter 6: Commedia dell’arte in The Two Gentlemen of Verona
Chapter 7: Commedia dell’arte in Twelfth Night
Chapter 8: Commedia dell’arte in The Taming of the Shrew
Chapter 9: Commedia dell’arte in All’s Well That Ends Well
Chapter 10: Commedia dell’arte in The Winter’s Tale
Chapter 11: Commedia dell’arte in Much Ado About Nothing
Chapter 12: Commedia dell’arte in Othello
Chapter 11: Commedia dell’arte in The Tempest
Conclusion
Glossary
Commedia dell’arte Warm-up and Workout
Appendix
Introduction
Cast of Characters
Chapter 1: Italian Influences on Shakespeare and his Contemporaries
Chapter 2: Commedia dell’Arte in Italian and English Comedies
Chapter 3: Commedia dell’arte in A Midsummer Night’s Dream
Chapter 4: Commedia dell’arte in The Comedy of Errors
Chapter 5: Commedia dell’arte in The Merchant of Venice
Chapter 6: Commedia dell’arte in The Two Gentlemen of Verona
Chapter 7: Commedia dell’arte in Twelfth Night
Chapter 8: Commedia dell’arte in The Taming of the Shrew
Chapter 9: Commedia dell’arte in All’s Well That Ends Well
Chapter 10: Commedia dell’arte in The Winter’s Tale
Chapter 11: Commedia dell’arte in Much Ado About Nothing
Chapter 12: Commedia dell’arte in Othello
Chapter 11: Commedia dell’arte in The Tempest
Conclusion
Glossary
Commedia dell’arte Warm-up and Workout
Appendix
Notă biografică
Artemis Preeshl is a Fulbright Senior Specialist in Theatre and professional director, actor, dialect coach, and choreographer who has worked at Tulane University, Loyola University New Orleans, Utah State University, the Faculty of Creative and Artistic Technology at Universiti Teknologi MARA in Malaysia, and Kalakshetra Foundation and the University of Madras in India.
Descriere
Shakespeare and Commedia dell'Arte examines the ongoing influence of commedia dell'arte on Shakespeare's plays. Exploring the influence of commedia dell'arte improvisation, sight gags, and wordplay on the development of Shakespeare's plays, Artemis Preeshl blends historical research with extensive practical experience to demonstrate how these techniques might be applied when producing some of Shakespeare's best-known works today. Each chapter focuses on a specific play, from A Midsummer Night's Dream to The Winter's Tale, drawing out elements of commedia dell'arte style in the playscripts and in contemporary performance.
Including contemporary directors' notes and interviews with actors and audience members alongside Elizabethan reviews, criticism, and commentary, Shakespeare and Commedia dell'Arte presents an invaluable resource for scholars and students of Renaissance theatre.