Shakespeare and Ovid: Clarendon Paperbacks
Autor Jonathan Bateen Limba Engleză Paperback – 19 oct 1994
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Specificații
ISBN-13: 9780198183242
ISBN-10: 0198183240
Pagini: 310
Dimensiuni: 138 x 216 x 19 mm
Greutate: 0.45 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Clarendon Paperbacks
Locul publicării:Oxford, United Kingdom
ISBN-10: 0198183240
Pagini: 310
Dimensiuni: 138 x 216 x 19 mm
Greutate: 0.45 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Clarendon Paperbacks
Locul publicării:Oxford, United Kingdom
Recenzii
This fascinating book introduces us to yet another dimension of his genius. It also wipes out the memory of static classroom excerpts and reveals Ovid in his full splendour.
Bate is, again and again, brilliant ... This is literary criticism of the highest order.
"The clarity and detail of argument, and elegance of style, make this a delightful book ... Bate's work is grounded in a solid historical knowledge of the period ... Bate has produced a fine synoptic treatment, which deserves the widest possible readership." Isabella Wheater, Oxford, Review of English Studies, 1999
We have needed and awaited the definitive book on Shakespeare and Ovid for many years now. It is here and it is brilliant ... Literary criticism came in with The Iron Age, but now and then someone comes along and does it so nimbly, profoundly, and movingly, that one may suppose it was an art of The Silver Age, lost in the interim and newly discovered. Jonathan Bate's book is like that.
Bate is, again and again, brilliant ... This is literary criticism of the highest order.
"The clarity and detail of argument, and elegance of style, make this a delightful book ... Bate's work is grounded in a solid historical knowledge of the period ... Bate has produced a fine synoptic treatment, which deserves the widest possible readership." Isabella Wheater, Oxford, Review of English Studies, 1999
We have needed and awaited the definitive book on Shakespeare and Ovid for many years now. It is here and it is brilliant ... Literary criticism came in with The Iron Age, but now and then someone comes along and does it so nimbly, profoundly, and movingly, that one may suppose it was an art of The Silver Age, lost in the interim and newly discovered. Jonathan Bate's book is like that.