Shakespeare and the Medieval World: Arden Critical Companions
Autor Helen Cooperen Limba Engleză Paperback – 15 aug 2012
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Specificații
ISBN-13: 9781408172322
ISBN-10: 1408172321
Pagini: 288
Ilustrații: 7 bw in-text illustrations
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Critical Companions
Locul publicării:London, United Kingdom
ISBN-10: 1408172321
Pagini: 288
Ilustrații: 7 bw in-text illustrations
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Critical Companions
Locul publicării:London, United Kingdom
Caracteristici
Shakespeare
and
the
Medieval
Worldprovides
a
panoramic
overview
of
the
subject
and
gives
students
key
contextual
background
Notă biografică
Helen
Cooper
is
Professor
of
Medieval
and
Renaissance
English
at
the
University
of
Cambridge.
She
is
the
author
ofThe
English
Romance
in
Time:
Transforming
Motifs
from
Geoffrey
of
Monmouth
to
the
Death
of
Shakespeare.
Recenzii
Cooper's
book
must
surely
take
the
prize
for
the
most
significant
contribution
to
the
appreciation
of
this
drama
since
V.
A.
Kolve's
work,The
Play
Called
Corpus
Christi.
.
.
She
has
shown
that
far
from
being
a
"foreign
country,"
the
Middle
Ages
was
a
place
with
which
Shakespeare
was
totally
familiar
in
terms
of
the
built
environment
in
which
he
moved,
the
literary
and
dramatic
conventions
that
he
and
his
audience
understood,
and
even
the
religious
culture
that
had
crossed
the
divide
of
the
Reformation.
Cooper's book is a timely one, and deserves to be a significant one, in reorienting perspectives to the important place of the medieval, visible and invisible, direct and intangible, in Shakespeare's mind . . . It covers a vast array of material with a swiftness of pace and ease of style that are sufficient to inform the under-graduate or interested layperson, without being laborious for the scholar . . . It will give Shakespeareans of all shades a fuller understanding of the world in which he lived and thought, and the ones he created.
Cooper's book is a timely one, and deserves to be a significant one, in reorienting perspectives to the important place of the medieval, visible and invisible, direct and intangible, in Shakespeare's mind . . . It covers a vast array of material with a swiftness of pace and ease of style that are sufficient to inform the under-graduate or interested layperson, without being laborious for the scholar . . . It will give Shakespeareans of all shades a fuller understanding of the world in which he lived and thought, and the ones he created.