Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre
Autor Robert Weimann, Douglas Brusteren Limba Engleză Paperback – dec 2010
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 351.14 lei 43-57 zile | |
Cambridge University Press – dec 2010 | 351.14 lei 43-57 zile | |
Hardback (1) | 676.00 lei 43-57 zile | |
Cambridge University Press – 6 aug 2008 | 676.00 lei 43-57 zile |
Preț: 351.14 lei
Nou
Puncte Express: 527
Preț estimativ în valută:
67.21€ • 70.05$ • 55.95£
67.21€ • 70.05$ • 55.95£
Carte tipărită la comandă
Livrare economică 06-20 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780521182836
ISBN-10: 0521182832
Pagini: 278
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.41 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
ISBN-10: 0521182832
Pagini: 278
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.41 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
Cuprins
Introduction; 1. 'Moralize two meanings' in one play: contrariety on the Tudor stage; 2. Performance, game, and representation in Richard III; 3. Mingling vice and 'worthiness' in King John; 4. Clowning: agencies between voice and pen; 5. Clowning at the frontiers of representation; 6. Cross-dressing and performance in disguise; 7. Personation and playing: 'secretly open' role-playing; 8. Character/actor: the deep matrix; 9. Character: depth, dialogue, page; 10. King Lear: representations on stage and page.
Recenzii
Review of the hardback: 'Learned, readable, and provocative, this extraordinary book brings the range and depth of Robert Weimann's and Douglas Bruster's rich knowledge of the early modern stage to bear on a theoretically engaging reading of the interplay between dramatic writing and stage performance.' W. B. Worthen, University of Michigan
Review of the hardback: 'This convincing study radically extends our understanding of the productive interplay between text and theatre in Shakespeare's work. Weimann and Bruster brilliantly analyse the actor-playwright's skill in turning to advantage the potentially uneasy relation between the imagination of the author and the material reality of his actors.' Catherine Belsey, University of Wales, Swansea
Review of the hardback: '… essential reading for anyone teaching or studying Shakespeare, as well as those working in the theatre …' Robert Hornback
Review of the hardback: 'This convincing study radically extends our understanding of the productive interplay between text and theatre in Shakespeare's work. Weimann and Bruster brilliantly analyse the actor-playwright's skill in turning to advantage the potentially uneasy relation between the imagination of the author and the material reality of his actors.' Catherine Belsey, University of Wales, Swansea
Review of the hardback: '… essential reading for anyone teaching or studying Shakespeare, as well as those working in the theatre …' Robert Hornback
Descriere
This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era.