Shakespeare in the Theatre: Cheek by Jowl: Shakespeare in the Theatre
Autor Dr Peter Kirwanen Limba Engleză Hardback – 20 feb 2019
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Paperback (1) | 164.13 lei 22-36 zile | |
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Bloomsbury Publishing – 20 feb 2019 | 565.55 lei 22-36 zile |
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Specificații
ISBN-13: 9781474223294
ISBN-10: 147422329X
Pagini: 232
Ilustrații: 6 bw illus
Dimensiuni: 129 x 198 x 21 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Shakespeare in the Theatre
Locul publicării:London, United Kingdom
ISBN-10: 147422329X
Pagini: 232
Ilustrații: 6 bw illus
Dimensiuni: 129 x 198 x 21 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Shakespeare in the Theatre
Locul publicării:London, United Kingdom
Caracteristici
The first substantial study of this ground-breaking theatre company and its innovative approach to performing Shakespeare
Notă biografică
Peter Kirwan is Associate Professor in Early Modern Drama at the University of Nottingham, UK. His recent books include Shakespeare and the Idea of Apocrypha (2015) and Canonising Shakespeare: Stationers and the Book Trade, 1640-1740 (with Emma Depledge, 2017).
Cuprins
List of illustrations Series Preface Acknowledgements Introduction 1. Shakespeare of Roscommon: Tracing a Cheek by Jowl ProductionThe Winter's Tale (2016-17) and Lady Betty (1989) 2. Touching the Void: Bodies and SpaceMacbeth (2009-11) and The Duchess of Malfi (1995-6) 3. 'If I were a woman': The All-Male EnsembleTwelfth Night (2003-) and As You Like It (1991-5) 4. Cutting and Cross-Cutting: Filmic Space and the TextCymbeline (2007) and The Tempest (2011-) 5. Conceptual Rooms: Designing Not-Shakespeare'Tis Pity She's a Whore (2011-14) and Ubu Roi (2013-15) 6. Empathy and LonelinessMuch Ado about Nothing (1998) and Measure for Measure (2013-)Conclusion: Evolutions Appendix Notes References Index
Recenzii
Kirwan draws on extensive interviews, notations from rehearsals, and multiple viewings of productions both live and on video to describe the company's aesthetic in impressive detail. The book succeeds in confirming Cheek by Jowl's place among the most celebrated classical ensembles working today.
Kirwan draws on a rich range of sources in his exploration of the company's work, augmenting his performance analyses with archival research, interviews, and, in the case of The Winter's Tale, even rehearsal observation. This latter approach is particularly fruitful in providing privileged insights into Cheek by Jowl's process and makes a valuable contribution to the burgeoning field of rehearsal studies.
A detailed and immensely readable account of one of the most innovative and well-respected contemporary theatre companies. Peter Kirwan's acknowledged love of Cheek by Jowl, allied to his assiduous research and the access offered by the company, combine to produce a detailed examination of their working practices in English, Russian, and French, providing a scholarly assessment of the impact of the company's work since its foundation in 1981 . His detailed analysis will be of immense value to all readers.
Kirwan draws on a rich range of sources in his exploration of the company's work, augmenting his performance analyses with archival research, interviews, and, in the case of The Winter's Tale, even rehearsal observation. This latter approach is particularly fruitful in providing privileged insights into Cheek by Jowl's process and makes a valuable contribution to the burgeoning field of rehearsal studies.
A detailed and immensely readable account of one of the most innovative and well-respected contemporary theatre companies. Peter Kirwan's acknowledged love of Cheek by Jowl, allied to his assiduous research and the access offered by the company, combine to produce a detailed examination of their working practices in English, Russian, and French, providing a scholarly assessment of the impact of the company's work since its foundation in 1981 . His detailed analysis will be of immense value to all readers.