Cantitate/Preț
Produs
Total produse
Vezi coșul
Shakespeare, Music and Performance de Bill Barclay

Shakespeare, Music and Performance

Editat de Bill Barclay, David Lindley
en Limba Engleză Paperback – apr 2021
This collection of essays traces the different uses of music in Shakespearean performance in theatre and film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers contributions from scholars and contemporary practitioners.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 23825 lei  6-8 săpt.
  Cambridge University Press – apr 2021 23825 lei  6-8 săpt.
Hardback (1) 49695 lei  6-8 săpt.
  Cambridge University Press – 12 apr 2017 49695 lei  6-8 săpt.

Preț: 23825 lei

Nou

Puncte Express: 357
Preț estimativ în valută:
4559€ • 4733$ • 3802£

Carte tipărită la comandă

Livrare economică 22 martie-05 aprilie

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781316505014
ISBN-10: 1316505014
Pagini: 304
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.44 kg
Editura: Cambridge University Press

Cuprins

Introduction David Lindley and Bill Barclay; 1. Theatre bands and their music in Shakespeare's London William Lyons; 2. The many performance spaces for music at Jacobean indoor playhouses Simon Smith; 3. In practice I. Original practices and historical music in the Globe's London and Broadway productions of Twelfth Night and Richard III Claire van Kampen; 4. Ophelia's songspace: élite female musical performance and propriety on the Elizabethan and Jacobean stage Paul L. Faber; 5. Jangling bells inside and outside the playhouse Katherine Hunt; 6. Music, its histories, and Shakespearean (inter-)theatricality in Beaumont's Knight of the Burning Pestle Linda Phyllis Austern; 7. Changing musical practices in the Shakespearean playhouse, 1620–42 Lucy Munro; 8. In practice II. Adapting a Restoration adaptation: The Tempest, or the Enchanted Island Elizabeth Kenny; 9. The reception and re-use of Thomas Arne's Shakespeare songs of 1740/1 John Cunningham; 10. Processing with Shakespeare on the eighteenth-century London stage Michael Burden; 11. The music for Henry V in Victorian productions by Kean and Calvert Val Brodie; 12. In practice III. Listening to the pictures: an interview with composer Stephen Warbeck Bill Barclay; 13. Film, music and Shakespeare: Walton and Shostakovich Peter Holland; 14. Music in contemporary Shakespearean cinema Ramona Wray; 15. The politics of popular music in contemporary Shakespearean performance Adam Hansen; 16. In practice IV. 'Sounds like': making music on Shakespeare's stage today Jon Trenchard and Carol Chillington Rutter; 17. Music in the 2012 Globe-to-Globe Festival Bill Barclay; Index.

Recenzii

'The book is well edited and presented; it will be a valuable addition to the library of anyone interested in Shakespeare, music and performance.' The Consort Early Music Journal
'The volume is a notable achievement in opening up new ways of appreciating the 'pleasure and creative advantage' offered by music in Shakespeare's plays throughout the centuries.' Russell Jackson, Shakespeare Survey