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Shakespeare's Shakespeare: How the Plays Were Made de John Meagher

Shakespeare's Shakespeare: How the Plays Were Made: Shakespeare: Bloomsbury Academic Collections

Autor John Meagher
en Limba Engleză Hardback – 16 dec 2015
In this work of scholarship and creativity, Meagher argues that Shakespeare has been misunderstood because of a failure to recognize his own directions as a playwright. Through an examination of several of his plays Meagher uncovers Shakespeare as artist, director, and actor.
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Specificații

ISBN-13: 9781474247443
ISBN-10: 147424744X
Pagini: 256
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Shakespeare: Bloomsbury Academic Collections

Locul publicării:London, United Kingdom

Caracteristici

Draws on the wealth of the backlists of Continuum, Sheffield Academic Press and The Athlone Press

Notă biografică

John Meagher was Professor of English and Theology at St. Michael's College, University of Toronto, Canada.

Cuprins

Preface 1 If We Offend, It Is With Our Good WillWhat this is about, and why it is needed 2 How Long Is't Now Since Last Your Self And I Were In A Masque?How we lost, and may recover, Shakespeare's own dramaturgy 3 A Local Habitation, And A NameA self-portrait of the artist as a dramaturge 4 In Short Space, It Rain's Down FortuneShakespeare's use of space and place 5 Devise The Fittest Time, And Safest WayShakespeare's treatment of time and continuity 6 And I May Hide My Face, Let Me Play Thisby TooThe dramaturgy and dramatics of role-doubling 7 A Good Plot, Good Friends, And Full Of ExpectationShakespeare's plotting of plays and management of sources 8 Stuffed, As They Say, With Honorable PartsShakespeare's dramaturgy of character 9 A Taste Of Your Quality: Come, A Passionate SpeechShakespeare's language, especially his dramatic verse and prose 10 The Purpose Of Playing . At The First And NowThe aims of Shakespearean dramaturgy Notes

Recenzii

With critical finesse and through balanced explanations ... Meagher demonstrates that what governed Shakespeare's aesthetics had nothing to do with the modern notion of unitary principles.