Sir Thomas More
Autor William Shakespeare Editat de The Perfect Libraryen Limba Engleză Paperback
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 95.34 lei 3-5 săpt. | |
| CREATESPACE – | 95.34 lei 3-5 săpt. | |
| Bloomsbury Publishing – 27 feb 2011 | 113.64 lei 3-5 săpt. | +30.78 lei 7-13 zile |
| Hardback (1) | 541.32 lei 3-5 săpt. | |
| Bloomsbury Publishing – 27 feb 2011 | 541.32 lei 3-5 săpt. |
Preț: 95.34 lei
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Specificații
ISBN-13: 9781512138672
ISBN-10: 1512138673
Pagini: 106
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.15 kg
Editura: CREATESPACE
ISBN-10: 1512138673
Pagini: 106
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.15 kg
Editura: CREATESPACE
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Caracteristici
Detailed on-page Commentary and textual notes enhance the reader's understanding
Notă biografică
Professor John Jowett is Chair of Shakespeare Studies at The Shakespeare Institute, University of Birmingham. He is a Series Editor of the Arden Early Modern Drama series and an Editor of the New Oxford Shakespeare Complete Works.
Recenzii
John Jowett's edition of More is one of the triumphs of the [Third Series] as a whole, elucidating a nightmarishly complex textual history with exemplary clarity.
'...Jowett, one of the most gifted and exciting textual scholars around, whose Oxford edition of Richard III belongs right up there in the pantheon of truly great Shakespeare editions, has completed the job boldly, accurately and courteously.''The textual treatment is as full and cogent an analysis as you are ever likely to find, and one of its most refreshing characteristics- apart from the expertise with which it is written- is its honesty...this publication represents its official entry into the Arden Shakespeare canon- and Jowett's excellent edition amply justifies this inclusion.'
John Jowett's edition of Sir Thomas More is indispensable reading concerning issues of Elizabethan collaboration and authorship. It implicitly asks: how do we identify a Shakespearean play?...' Sean Elliott, The London Magazine
'It is an impressive piece of scholarship, surpassing its predecessor edited by Gabrieli and Melchiori in attention to technical detail, and in tackling the complexities of what some have considered the most politically incorrect Elizabethan play that we possess... The Arden edition succeeds in opening a can of worms which challenges contemporary critical thinking.'
'...Jowett, one of the most gifted and exciting textual scholars around, whose Oxford edition of Richard III belongs right up there in the pantheon of truly great Shakespeare editions, has completed the job boldly, accurately and courteously.''The textual treatment is as full and cogent an analysis as you are ever likely to find, and one of its most refreshing characteristics- apart from the expertise with which it is written- is its honesty...this publication represents its official entry into the Arden Shakespeare canon- and Jowett's excellent edition amply justifies this inclusion.'
John Jowett's edition of Sir Thomas More is indispensable reading concerning issues of Elizabethan collaboration and authorship. It implicitly asks: how do we identify a Shakespearean play?...' Sean Elliott, The London Magazine
'It is an impressive piece of scholarship, surpassing its predecessor edited by Gabrieli and Melchiori in attention to technical detail, and in tackling the complexities of what some have considered the most politically incorrect Elizabethan play that we possess... The Arden edition succeeds in opening a can of worms which challenges contemporary critical thinking.'
Descriere
Descriere de la o altă ediție sau format:
Sir Thomas More deals with matters so controversial that it may never have reached performance on stage. A compelling play of riots and religious politics, it is also an intriguing document of what could, and could not, be articulated in the early modern public theatre.
Sir Thomas More deals with matters so controversial that it may never have reached performance on stage. A compelling play of riots and religious politics, it is also an intriguing document of what could, and could not, be articulated in the early modern public theatre.