Sites of Mediation: Connected Histories of Places, Processes, and Objects in Europe and Beyond, 1450–1650: Intersections, cartea 47
Autor Susanna Burghartz, Lucas Burkart, Christine Göttleren Limba Engleză Hardback – 22 sep 2016
Contributors are: Tina Asmussen, Nadia Baadj, Benedikt Bego-Ghina, Davina Benkert, Daniela Bleichmar, Susanna Burghartz, Lucas Burkart, Christine Göttler, Franziska Hilfiker, Nicolai Kölmel, Ivo Raband, Jennifer Rabe, Antonella Romano, Michael Schaffner, Sarah-Maria Schober, Claudia Swan, and Stefanie Wyssenbach.
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Specificații
ISBN-13: 9789004229563
ISBN-10: 9004229566
Dimensiuni: 155 x 235 mm
Greutate: 0.79 kg
Editura: Brill
Colecția Brill
Seria Intersections
ISBN-10: 9004229566
Dimensiuni: 155 x 235 mm
Greutate: 0.79 kg
Editura: Brill
Colecția Brill
Seria Intersections
Cuprins
Acknowledgements
Notes on the Editors
Notes on the Contributors
List of Illustrations
Introduction: ‘Sites of Mediation’ in Early Modern Europe and Beyond. A Working Perspective
Susanna Burghartz, Lucas Burkart, and Christine Göttler
I. Staging Encounters
Rome and its Indies: A Global System of Knowledge at the End of the Sixteenth Century
Antonella Romano
Staging Genoa in Antwerp: The Triumphal Arch of the Genoese Nation for the Blijde Inkomst of Archduke Ernest of Austria into Antwerp, 1594
Ivo Raband
Setting the Stage for Oneself and Others: Venice and the Levant in the Fifteenth Century
Benedikt Bego-Ghina
The Queen in the Pawnshop: Shaping Civic Virtues in a Painting for the Palazzo dei Camerlenghi in Venice
Nicolai Kölmel
Through the Stained-Glass: The Basel Schützenhaus as a Site of Encounter
Michael Schaffner
II. Translation, Transmission, Transformation
The Kux as a Site of Mediation: Economic Practices and Material Desires in the Early Modern German Mining Industry
Tina Asmussen
Mediating between Art and Nature: The Countess of Arundel at Tart Hall
Jennifer Rabe
The ‘Hortus Siccus’ as a Focal Point: Knowledge, Environment, and Image in Felix Platter’s and Caspar Bauhin’s Herbaria
Davina Benkert
Translation, Mobility, and Mediation: The Case of the Codex Mendoza
Daniela Bleichmar
Collaborative Craftsmanship and Chimeric Creation in Seventeenth-Century Antwerp Art Cabinets
Nadia S. Baadj
III. Fluid Worlds
Hermaphrodites in Basel? Figures of Ambiguity and the Early Modern Physician
Sarah-Maria Schober
Riches of the Sea: Collecting and Consuming Frans Snijders’s Marine Market Paintings in the Southern Netherlands
Stefanie Wyssenbach
Negotiating Arctic Waters: John Davis’s The Worldes Hydrographical Discription
Franziska Hilfiker
Fortunes at Sea: Mediated Goods and Dutch Trade, Circa 1600
Claudia Swan
Index Nominum
Notes on the Editors
Notes on the Contributors
List of Illustrations
Introduction: ‘Sites of Mediation’ in Early Modern Europe and Beyond. A Working Perspective
Susanna Burghartz, Lucas Burkart, and Christine Göttler
I. Staging Encounters
Rome and its Indies: A Global System of Knowledge at the End of the Sixteenth Century
Antonella Romano
Staging Genoa in Antwerp: The Triumphal Arch of the Genoese Nation for the Blijde Inkomst of Archduke Ernest of Austria into Antwerp, 1594
Ivo Raband
Setting the Stage for Oneself and Others: Venice and the Levant in the Fifteenth Century
Benedikt Bego-Ghina
The Queen in the Pawnshop: Shaping Civic Virtues in a Painting for the Palazzo dei Camerlenghi in Venice
Nicolai Kölmel
Through the Stained-Glass: The Basel Schützenhaus as a Site of Encounter
Michael Schaffner
II. Translation, Transmission, Transformation
The Kux as a Site of Mediation: Economic Practices and Material Desires in the Early Modern German Mining Industry
Tina Asmussen
Mediating between Art and Nature: The Countess of Arundel at Tart Hall
Jennifer Rabe
The ‘Hortus Siccus’ as a Focal Point: Knowledge, Environment, and Image in Felix Platter’s and Caspar Bauhin’s Herbaria
Davina Benkert
Translation, Mobility, and Mediation: The Case of the Codex Mendoza
Daniela Bleichmar
Collaborative Craftsmanship and Chimeric Creation in Seventeenth-Century Antwerp Art Cabinets
Nadia S. Baadj
III. Fluid Worlds
Hermaphrodites in Basel? Figures of Ambiguity and the Early Modern Physician
Sarah-Maria Schober
Riches of the Sea: Collecting and Consuming Frans Snijders’s Marine Market Paintings in the Southern Netherlands
Stefanie Wyssenbach
Negotiating Arctic Waters: John Davis’s The Worldes Hydrographical Discription
Franziska Hilfiker
Fortunes at Sea: Mediated Goods and Dutch Trade, Circa 1600
Claudia Swan
Index Nominum
Notă biografică
Susanna Burghartz is Professor of History at the University of Basel. She has published on European travel reports during the first globalization, urban society in Renaissance and early modern Switzerland, perception and mediality, gender history, and on the Reformation and confessionalisation periods.
Lucas Burkart is Professor of History at the University of Basel. He has published on various topics including late medieval visual culture, medieval treasury, the culture of collection and science in Baroque Rome, and the history of medieval and Renaissance historiography.
Christine Göttler is Professor of Art History at the University of Bern. She has published extensively on diverse topics ranging from Reformation iconoclasm, post-Tridentine spirituality, and the relationship between art, nature, and the senses to aspects of early modern artists’ materials.
Lucas Burkart is Professor of History at the University of Basel. He has published on various topics including late medieval visual culture, medieval treasury, the culture of collection and science in Baroque Rome, and the history of medieval and Renaissance historiography.
Christine Göttler is Professor of Art History at the University of Bern. She has published extensively on diverse topics ranging from Reformation iconoclasm, post-Tridentine spirituality, and the relationship between art, nature, and the senses to aspects of early modern artists’ materials.