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Sketches from a Hunter's Album

Autor Ivan Turgenev
en Limba Engleză Paperback – 22 noi 2018
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First published in 1852, "Sketches from a Hunter's Album" is a loose series of lyrical stories of rural life under serfdom. This expanded edition includes all Turgenev's other short stories.
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Specificații

ISBN-13: 9781731707871
ISBN-10: 1731707878
Pagini: 392
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.64 kg
Editura: Simon & Brown

Notă biografică

Ivan Sergeyevich Turgenev (9 November 1818 - 3 September 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West. Turgenev's artistic purity made him a favorite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad, both of whom greatly preferred Turgenev to Tolstoy and Dostoyevsky. James, who wrote no fewer than five critical essays on Turgenev's work, claimed that "his merit of form is of the first order" and praised his "exquisite delicacy," which "makes too many of his rivals appear to hold us, in comparison, by violent means, and introduce us, in comparison, to vulgar things." Vladimir Nabokov, notorious for his casual dismissal of many great writers, praised Turgenev's "plastic musical flowing prose," but criticized his "labored epilogues" and "banal handling of plots." Nabokov stated that Turgenev "is not a great writer, though a pleasant one," and ranked him fourth among nineteenth-century Russian prose writers, behind Tolstoy, Gogol, and Anton Chekhov, but ahead of Dostoyevsky. His idealistic ideas about love, specifically the devotion a wife should show her husband, were cynically referred to by characters in Chekhov's "An Anonymous Story." Isaiah Berlin acclaimed Turgenev's commitment to humanism, pluralism, and gradual reform over violent revolution as representing the best aspects of Russian liberalism.His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian realism. His novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction.