Socialist and Post–Socialist Mongolia: Nation, Identity, and Culture: Central Asian Studies
Editat de Simon Wickhamsmith, Phillip P. Marzlufen Limba Engleză Hardback – 4 mar 2021
Chapters 2 and 3 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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Specificații
ISBN-13: 9780367350574
ISBN-10: 0367350572
Pagini: 282
Ilustrații: 23 Halftones, black and white; 6 Tables, black and white; 29 Illustrations, black and white
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Central Asian Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0367350572
Pagini: 282
Ilustrații: 23 Halftones, black and white; 6 Tables, black and white; 29 Illustrations, black and white
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Central Asian Studies
Locul publicării:Oxford, United Kingdom
Cuprins
1. Introduction (Phillip P. Marzluf and Simon Wickhamsmith)
2. Khural Democracy: Post-Imperial Debates in Russia and China and the Making of the Mongolian Constitution, 1905–1924 (Ivan Sablin, Jargal Badagarov, and Irina Sodnomova)
3. D. Natsagdorj, Mongolian Travel Writing, and Ideas about National Identity (Phillip P. Marzluf)
4. Andre Simukov and Mongolian Nationalism (Morris Rossabi and Mary Rossabi)
5. Official Script Changes in Socialist Mongolia (Myagmar Saruul-Erdene)
6. D. Sengee and the Birth of Mongolian Socialist Realism (Simon Wickhamsmith)
7. Faces of the State: Film and State Propaganda in Socialist Mongolia (Zoljargal Enkh-Amgalan)
8. "Capitalist Art" and the Invention of Tradition in Twentieth-Century Mongolia (Uranchimeg Tsultemin)
9. "Running in My Blood": The Musical Legacy of State Socialism in Mongolia (Baatarnaran Tsetsentsolmon)
10. Shadows of a Heroic Singer: J. Dorjdagva (1904-1991) and the Mongolian Long-song Tradition (Sunmin Yoon)
11. Mongolia in Transition: 1986–1990 (Joe Lake and Michael A. Lake)
12. Language, Identity, and Relocalization: Social Media Users in Post-Socialist Mongolia (Sender Dovchin)
13. Boundaries and Peripheries: Shifting Frames of Identity, Territoriality, and Belonging among Kazakh Ethnic Minorities in Mongolia (Holly R. Barcus)
14. Milk and Human–Livestock Relations in Contemporary Mongolia (Ariell Ahearn)
2. Khural Democracy: Post-Imperial Debates in Russia and China and the Making of the Mongolian Constitution, 1905–1924 (Ivan Sablin, Jargal Badagarov, and Irina Sodnomova)
3. D. Natsagdorj, Mongolian Travel Writing, and Ideas about National Identity (Phillip P. Marzluf)
4. Andre Simukov and Mongolian Nationalism (Morris Rossabi and Mary Rossabi)
5. Official Script Changes in Socialist Mongolia (Myagmar Saruul-Erdene)
6. D. Sengee and the Birth of Mongolian Socialist Realism (Simon Wickhamsmith)
7. Faces of the State: Film and State Propaganda in Socialist Mongolia (Zoljargal Enkh-Amgalan)
8. "Capitalist Art" and the Invention of Tradition in Twentieth-Century Mongolia (Uranchimeg Tsultemin)
9. "Running in My Blood": The Musical Legacy of State Socialism in Mongolia (Baatarnaran Tsetsentsolmon)
10. Shadows of a Heroic Singer: J. Dorjdagva (1904-1991) and the Mongolian Long-song Tradition (Sunmin Yoon)
11. Mongolia in Transition: 1986–1990 (Joe Lake and Michael A. Lake)
12. Language, Identity, and Relocalization: Social Media Users in Post-Socialist Mongolia (Sender Dovchin)
13. Boundaries and Peripheries: Shifting Frames of Identity, Territoriality, and Belonging among Kazakh Ethnic Minorities in Mongolia (Holly R. Barcus)
14. Milk and Human–Livestock Relations in Contemporary Mongolia (Ariell Ahearn)
Notă biografică
Simon Wickhamsmith is a lecturer in English at Rutgers University, USA, and a translator and scholar of twentieth and twenty-first century Mongolian literature.
Phillip P. Marzluf is a professor of English at Kansas State University, USA
Phillip P. Marzluf is a professor of English at Kansas State University, USA
Descriere
This book re-examines the origins of modern Mongolian nationalism, discussing nation building as sponsored by the socialist Mongolian People’s Revolutionary Party and the Soviet Union, emphasizing in particular the role of the arts and the humanities.