Song of the North Country: A Midwest Framework to the Songs of Bob Dylan

Interest in Dylan remains high, and his work is being taught increasingly on college level courses - this angle is fresh enough to gain real attention

"Pichaske (English, Southwest Minnesota State Univ.) offers an interesting exploration of how Dylan's early years in Minnesota influenced his songs and writings. [...] The author is steeped in Dylan's voluminous compositions and other writings, and in the literary legacies of the Midwest, and he uses all this material to good effect.  Adding a significant title to the corpus of Dylan studies is not an easy task, but Pichaske succeeds.  Including helpful notes and an extensive but far from inclusive bibliography, this book fits into the literature of both popular music and literary studies." -R.D. Cohen, CHOICE, September 2010
'Pichaske manages to keep the action keen for the less-than-devout students of Dylanology, his lively writing suggesting the playful professor' Word Magazine, August 2010
'Pichaske offers and understandably more scholarly view of Dylan's relation to his home town and its environs...gems include a chapter on Dylan's Midwestern pronunciation which is, oddly, quite compelling.'
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'From wordplay and pronunciation in the chapter ''And the Language That He Used,'' to the influence of education, politics, religion and the judicial system upon Dylan in 'Bob Dylan's Prairie Populism,' it might be said there's something for everyone amid these 303 pages.'
As a capacious American studies sourcebook... Song of the North Country persuasively positions Dylan in an American cannon that includes Fitzgerald, Cather, Frost, Kerouac, Steinbeck, Arthur Miller, Sinclair Lewis, Meridel LeSeur, Robert Bly, Garrison Keillor, Hamlin Garland, William Gass, and Leo Marx.