Sonic Technologies: Popular Music, Digital Culture and the Creative Process
Autor Robert Strachanen Limba Engleză Paperback – 11 ian 2017
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Specificații
ISBN-13: 9781501310621
ISBN-10: 1501310623
Pagini: 208
Ilustrații: 15 mono images
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.36 kg
Ediția:Paperback
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501310623
Pagini: 208
Ilustrații: 15 mono images
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.36 kg
Ediția:Paperback
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Develops an understanding of how musicians think about and engage in creative practice within contemporary popular music culture by offering a holistic approach to creativity in a book length study for the first time
Notă biografică
Robert Strachan is a Lecturer in Music based in the School of Music at the University of Liverpool.
Cuprins
IntroductionChapter I. Digital Technologies, Democratisation and Cultural ProductionChapter II. Affordance, Digital Audio Workstations and Musical CreativityChapter III. Digital Technology and Technique in the creative processChapter IV. Creativity as Discourse/Creativity as Experience in Electronic Dance Music and ElectronicaChapter V. Digital Aesthetics: Cyber Genres, Auto Tune and Digital PerfectionismConclusion
Recenzii
Sonic Technologies brilliantly illustrates the consequences of digitization for musicmaking. Strachan illustrates and questions not only the music that results from the use of new audio technologies but delves into the design of the technology to focus on the affordances, sonic and visual, that shape the creative and recording processes. Throughout the book the focus on creativity, aesthetics and the process of making and recording music make this a uniquely insightful book.
This book is a timely publication and an excellent all-around primer on the debates concerning technological affordance and musical creativity, as well as issues specifically associated with DAW-based tools.
This book is a timely publication and an excellent all-around primer on the debates concerning technological affordance and musical creativity, as well as issues specifically associated with DAW-based tools.