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Sound Alliances: Indigenous Peoples, Cultural Politics, and Popular Music in the Pacific: Cultural Studies: Bloomsbury Academic Collections

Editat de Philip Hayward
en Limba Engleză Paperback – 31 iul 1998
An anthology of essays on the new syncretic, or "fusion", styles of music of the indigenous peoples of the Pacific region, who have adopted forms of popular music as an expression of their cultural identity.
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Specificații

ISBN-13: 9780304700509
ISBN-10: 0304700509
Pagini: 192
Dimensiuni: 154 x 233 x 18 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Cultural Studies: Bloomsbury Academic Collections

Locul publicării:London, United Kingdom

Recenzii

"Through the 1990s, Philip Hayward has been the driving force behind popular music studies in Australia...[This publication is] a significant milestone and achievement....The strength of the collection lies in the layering up of a sense of community of inquiry, and the fostering of an intertextual head of steam, grounded in a set of empirical, rather than theoretical, concerns."--The Contemporary Pacific

Caracteristici

Draws on the wealth of the backlists of Cassell, Continuum and Sheffield Academic Press

Notă biografică

Philip Hayward is Professor in the School of Arts and Social Sciences at Southern Cross University, Australia.

Cuprins

Introduction: Beyond the Axis Philip HaywardPart I - Music, Identity and Cultural Politics1. Tjungaringanyi: Aboriginal Rock (1971-91) John Castles2. He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand Tony Mitchell3. Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia David Goldsworthy4. Koori Music in Melbourne: Culture, Politics and Certainty Robin Ryan5. Jawaiian Music and Local Cultural Identity in Hawai'i Andrew N. Weintraub6. Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music Amy Ku'uleialoha StillmanPart II - Music, Commerce and the Media Industries7. Developments in Papua New Guinea's Popular Music Industry Malcolm Philpott8. Questions of Music Copyright in Papua New Guinea Don Niles9. Te Wa Whakapaoho I te Reo Irirangi: Some Directions in Maori Radio Helen Wilson10. A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea Philip Hayward11. The Proud Project and the 'Otara Sound': Maori and Polynesian Pop in the Mid 1990s Tony MitchellPart III - Access to the Mainstream: The Case of Yothu Yindi12. Yothu Yindi: Context and Significance Philip Hayward and Karl Neuenfeldt13. Culture, Custom and Collaboration: The Production of Yothu Yindi's 'Treaty' Videos Lisa Nicol14. Safe, Exotic and Somewhere Else: Yothu Yindi, 'Treaty' and the Mediation of Aboriginality Philip Hayward15. Yothu Yindi: Agendas and Aspirations Karl NeuenfeldtBibliographyIndex