Spine: Oberon Modern Plays
Autor Clara Brennanen Limba Engleză Paperback – 7 iun 2014
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Specificații
ISBN-13: 9781783191666
ISBN-10: 178319166X
Pagini: 64
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.11 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 178319166X
Pagini: 64
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.11 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
Notă biografică
Clara Brennan is a playwright and TV drama writer. Bud Take The Wheel, I Feel A Song Coming On was Clara's first full-length play. It previewed at The Shaw Theatre, London and ran at the Edinburgh Fringe Festival Underbelly in August 2010. Her short plays include Rain as part of Lough/Rain at the Underbelly and Theatre Royal York, Portmanteau with the Miniaturists at the Arcola Theatre and Bike Shed Theatre, Exeter, and The Curator for One Night Stand at the Soho Theatre Studio. Clara is writer-in-residence at Reclaim Theatre, who are currently making Rain into a short film. Clara's play Hi Vis was part of the Theatre Uncut season at the Southwark Playhouse in March 2011. Spine was part of Theatre Uncut 2012. Clara is currently adapting her play The Beserkers into a series for Channel 4.
Recenzii
'A sharp, witty, angry piece about the galvanising power of knowledge.'
Heartfelt and life-affirming
This is a play - which isn't afraid to wear either its heart or its politics on its sleeve.
Brennan sets up a simple scenario: a young woman gets to know an elderly widow after thinking about renting a room from her. The room stays vacant, but the relationship blossoms over a mutual love of the old lady's haul of rescued library books. What emerges is a deeply humane celebration of community, tradition, and the imagination.
Stories are radical. It's an insight that...propels Clara Brennan's fiercely defiant monologue. Her play agitates via emotion, weaving together the personal and the political in the most heartbreaking, chest-thumping of ways.
An outstanding piece of writing demonstrating a unique authorial voice.
If the script has a certain fairytale wish-fulfillment about it as Amy finds a better life for herself, it is based on such a vibrant celebration of language and female strength that you hardly notice.
Heartfelt and life-affirming
This is a play - which isn't afraid to wear either its heart or its politics on its sleeve.
Brennan sets up a simple scenario: a young woman gets to know an elderly widow after thinking about renting a room from her. The room stays vacant, but the relationship blossoms over a mutual love of the old lady's haul of rescued library books. What emerges is a deeply humane celebration of community, tradition, and the imagination.
Stories are radical. It's an insight that...propels Clara Brennan's fiercely defiant monologue. Her play agitates via emotion, weaving together the personal and the political in the most heartbreaking, chest-thumping of ways.
An outstanding piece of writing demonstrating a unique authorial voice.
If the script has a certain fairytale wish-fulfillment about it as Amy finds a better life for herself, it is based on such a vibrant celebration of language and female strength that you hardly notice.