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Stages in the Revolution: Political Theatre in Britain Since 1968: Routledge Library Editions: Political Protest

Autor Catherine Itzin
en Limba Engleză Paperback – 15 mar 2023
This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.
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Specificații

ISBN-13: 9781032046891
ISBN-10: 1032046899
Pagini: 418
Dimensiuni: 156 x 234 x 26 mm
Greutate: 0.64 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Library Editions: Political Protest

Locul publicării:Oxford, United Kingdom

Public țintă

Adult education, General, Postgraduate, Undergraduate Advanced, and Undergraduate Core

Cuprins

1. 1968  1.1. CAST (Cartoon Archetypical Slogan Theatre)  1.2. John Arden and Margaretta D’Arcy  1.3. AgitProp Street Players / Red Ladder  1.4. Ed Berman and Inter-Action  2. 1969  2.1. Albert Hunt and the Bradford College of Art Theatre Group  2.2. Welfare State  2.3. Pip Simmons Theatre Group 2.4. Edward Bond  3. 1970  3.1. David Mercer  3.2. Arnold Wesker  4. 1971  4.1. John McGrath and 7:84 Theatre Company  4.2. Hull Truck  5. 1972  5.1. David Edgar and The General Will  5.2. Subsidy  6. 1973  6.1. Trevor Griffiths  6.2. The Association of Community Theatres (TACT)  7. 1974  7.1. Howard Brenton and Portable Theatre  7.2. Belt and Braces Roadshow  8. 1975  8.1. The Independent Theatre Council (ITC)  8.2. Equity  8.3. Joint Stock Theatre Group  8.4. Womens Theatre Group  8.5. Gay Sweatshop  8.6. Broadside Mobile Workers Theatre  8.7. Barrie Keefe  8.8. Howard Barker  9. 1976  9.1. The ICA Theatre  9.2. The National Theatre  9.3. Monstrous Regiment  9.4. Caryl Churchill  10. 1977  10.1. North West Spanner  10.2. Theatre Writers Union (TWU)  11. 1978  11.1. The Combination  11.2. David Hare

Descriere

This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.