Stanley Cavell and the Arts: Philosophy and Popular Culture
Autor Dr Rex Butleren Limba Engleză Paperback – 14 oct 2020
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Specificații
ISBN-13: 9781350008526
ISBN-10: 1350008524
Pagini: 232
Dimensiuni: 138 x 216 x 21 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350008524
Pagini: 232
Dimensiuni: 138 x 216 x 21 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Notă biografică
Rex Butler is Professor of Art History at Monash University, Melbourne, USA. He writes on contemporary and Australian art and has written books on a number of literary (Borges) and philosophical (Baudrillard, Zizek, Deleuze and Guattari) figures.
Cuprins
Introduction1. Philosophy2. Modernity3. Shakespeare and Theatre 4. The World Viewed5. Comedies and Melodramas6. William Rothman and Film7. Michael Fried and Art8. Photography9. Cavell's Perfectionism Conclusion Index
Recenzii
As well as interweaving Cavell's thinking about the arts - including film, theatre, and painting - with his broader philosophical concerns, Butler's study also considers his legacy and uses by thinkers such as Michael Fried and William Rothman, exploring Cavell beyond Cavell. Thoughtful and thought-provoking, it approaches Cavell with uncommon freshness and insight. This is an important intervention into Cavell Studies, and studies of the arts more generally.
Already an attuned interpreter of contemporary art and its philosophical inheritances, Rex Butler provides here a new series of timely, assured, and rewarding engagements with the some of the works and modes of art that most captivated Stanley Cavell. Ranging from classical to Romantic to modernist, the theatrical to the filmic, photography to painting, Butler articulates the stakes of Cavell's interest in art's capacity for philosophical illumination, how such commitments intersect with his preoccupations more broadly with ordinary language philosophy, skepticism, and moral perfectionism, and-perhaps most crucially-offers yet more reasons why Cavell's thinking about art should matter to us in the present day and the days to come. Extended analyses of William Rothman and Michael Fried provide further occasion for situating Cavell's achievements and legacy in the context of salutary contributions by illustrious and accomplished friends.
Already an attuned interpreter of contemporary art and its philosophical inheritances, Rex Butler provides here a new series of timely, assured, and rewarding engagements with the some of the works and modes of art that most captivated Stanley Cavell. Ranging from classical to Romantic to modernist, the theatrical to the filmic, photography to painting, Butler articulates the stakes of Cavell's interest in art's capacity for philosophical illumination, how such commitments intersect with his preoccupations more broadly with ordinary language philosophy, skepticism, and moral perfectionism, and-perhaps most crucially-offers yet more reasons why Cavell's thinking about art should matter to us in the present day and the days to come. Extended analyses of William Rothman and Michael Fried provide further occasion for situating Cavell's achievements and legacy in the context of salutary contributions by illustrious and accomplished friends.