Steampunk: Gender, Subculture and the Neo-Victorian: Library of Gender and Popular Culture
Autor Dr Claire Nallyen Limba Engleză Paperback – 27 ian 2021
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Specificații
ISBN-13: 9781350194502
ISBN-10: 1350194506
Pagini: 304
Ilustrații: 10 bw illus
Dimensiuni: 138 x 216 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Library of Gender and Popular Culture
Locul publicării:London, United Kingdom
ISBN-10: 1350194506
Pagini: 304
Ilustrații: 10 bw illus
Dimensiuni: 138 x 216 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Library of Gender and Popular Culture
Locul publicării:London, United Kingdom
Caracteristici
'Steampunk', or Neo-Victorianism, is an burgeoning sub-field, that is consistently growing in popularity both in popular culture and academia
Notă biografică
Claire Nally is Senior Lecturer in Twentieth-Century English Literature at the University of Northumbria at Newcastle, UK. Her first book was Envisioning Ireland: W. B. Yeats's Occult Nationalism (2009).
Cuprins
AcknowledgementsList of FiguresIntroduction Chapter 1 Steampunk: The Politics of Subversion?Chapter 2 Doctor Geof and Nick Simpson: Sex, War and MasculinityChapter 3 Freak Show Femininities: Emilie AutumnChapter 4 Steampunk and the Graphic NovelChapter 5 Steampunk Romance: Gail Carriger and Kate McAlisterConclusionBibliographyIndex
Recenzii
Claire Nally's Steampunk: Gender, Subculture, and the Neo-Victorian is a welcome addition to a growing and dynamic field that has much to add to academic discussions around culture, gender, art, and history ... [Nally] lays a strong groundwork for steampunk to not only focus on its subversive potential but also to engage in its reestablishment of norms and mores.
Nally's valuable study makes clear that Steampunk is a popular culture phenomenon that, like punk, goth and metal has developed both conservative and progressive forms ... Having read Steampunk: gender, subculture & the neo-Victorian, I am inspired to get my students researching the genre, which is what a serious piece of scholarship should do.
[A] timely and welcome reflection on the possibilities and limitations of the mode ... Steampunk is a helpful reference for teaching and research in multiple humanities disciplines and it also engages with and advances debates in gender studies, adaptation, neo-Victorianism, and the study of (post-)subculture and counterculture.
Nally's study is an important and valuable contribution to the field of steampunk studies, as it expands and reflects on opportunities and dangers integral to the steampunk mode, while also providing a nuanced analysis of material which complements neo-Victorian gender studies in new and productive ways.
Nally's accessible and engaging interdisciplinary study provides a very welcome new perspective on the various repercussions of steampunk.
Looking seriously at material productions-from corsets, to artworks, to e-zines, to graphic novels-she asks questions inspired by intersectional feminism and considers whose identities these reflect, [and] whose interests they serve.
Nally convincingly demonstrates that we need to attend to the particulars of how steampunk is created, received, and even contested, whether in the form of Alan Moore's graphic novels, the multi-genre persona created by Emilie Autumn, or "postfeminist" romance. Her boundary-crossing study thus challenges us to rethink our generalizations about steampunk's joy in anachronism and its fascination with Britain's lost empire.
Nally's valuable study makes clear that Steampunk is a popular culture phenomenon that, like punk, goth and metal has developed both conservative and progressive forms ... Having read Steampunk: gender, subculture & the neo-Victorian, I am inspired to get my students researching the genre, which is what a serious piece of scholarship should do.
[A] timely and welcome reflection on the possibilities and limitations of the mode ... Steampunk is a helpful reference for teaching and research in multiple humanities disciplines and it also engages with and advances debates in gender studies, adaptation, neo-Victorianism, and the study of (post-)subculture and counterculture.
Nally's study is an important and valuable contribution to the field of steampunk studies, as it expands and reflects on opportunities and dangers integral to the steampunk mode, while also providing a nuanced analysis of material which complements neo-Victorian gender studies in new and productive ways.
Nally's accessible and engaging interdisciplinary study provides a very welcome new perspective on the various repercussions of steampunk.
Looking seriously at material productions-from corsets, to artworks, to e-zines, to graphic novels-she asks questions inspired by intersectional feminism and considers whose identities these reflect, [and] whose interests they serve.
Nally convincingly demonstrates that we need to attend to the particulars of how steampunk is created, received, and even contested, whether in the form of Alan Moore's graphic novels, the multi-genre persona created by Emilie Autumn, or "postfeminist" romance. Her boundary-crossing study thus challenges us to rethink our generalizations about steampunk's joy in anachronism and its fascination with Britain's lost empire.