Stefan Zweig and World Literature – Twenty–First–Century Perspectives: Studies in German Literature Linguistics and Culture

Birger Vanwesenbeeck, Mark H. Gelber

Introduction A Stefan Zweig Revival? - Birger Vanwesenbeeck Stefan Zweig's Drama Jeremias in Context - John Warren "That Voice in the Darkness!": Technologies of the Tropical Talking Cure in Stefan Zweig's Der Amokläufer and Verwirrung der Gefühle - Geoffrey Winthrop-Young Narrating Alterity: Stefan Zweig, Emmanuel Levinas, and the Trauma of Redemption - Robert Weldon Whalen Stefan Zweig and the Concept of World Literature - Mark H. Gelber Landscape, "Heimat," and Artistic Production: Stefan Zweig's Introduction to E. M. Lilien: Sein Werk - Richard V. Benson Stefan Zweig's Non-fictional Prose in Exile: Mastery of the European Genre of "Kunstprosa" - Klaus Weissenberger The Writer's Political Obligations in Exile: The Case of Stefan Zweig - Robert Kelz True to Himself: Stefan Zweig's Visit to Argentina in September 1936 - Darien J. Davis Exile and Liminality in "A Land of the Future": Charlotte and Stefan Zweig in Brazil, August 1941-March 1942 - Marlen Eckl Stefan Zweig's Concept of Brazil in the Context of German-Jewish Emigration - Klemens Renoldner Stefan Zweig: Life in Cities of Exile - Jeffrey B. Berlin Notes on the Contributors Index

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A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature.