Strategies of Political Theatre: Post-War British Playwrights: Cambridge Studies in Modern Theatre
Autor Michael Pattersonen Limba Engleză Paperback – noi 2006
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Specificații
ISBN-13: 9780521277327
ISBN-10: 0521277329
Pagini: 252
Dimensiuni: 152 x 228 x 15 mm
Greutate: 0.37 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Studies in Modern Theatre
Locul publicării:Cambridge, United Kingdom
ISBN-10: 0521277329
Pagini: 252
Dimensiuni: 152 x 228 x 15 mm
Greutate: 0.37 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Studies in Modern Theatre
Locul publicării:Cambridge, United Kingdom
Cuprins
Acknowledgements; Brief chronology, 1953–1989; Introduction; Part I. Theory: 1. Strategies of political theatre: a theoretical overview; Part II. Two Model Strategies: 2. The 'reflectionist' strategy: 'kitchen sink' realism in Arnold Wesker's Roots (1959); 3. The 'interventionist' strategy: poetic politics in John Arden's Serjeant Musgrave's Dance (1959); Part III. The Reflectionist Strain: 4. The dialectics of comedy: Trevor Griffiths's Comedians (1975); 5. Appropriating middle-class comedy: Howard Barker's Stripwell (1975); 6. Staging the future: Howard Brenton's The Churchill Play (1974); Part IV. The Interventionist Strain: 7. Agit-prop revisited: John McGrath's The Cheviot, the Stag, and the Black, Black Oil (1973); 8. Brecht revisited: David Hare's Fanshen (1975); 9. Rewriting Shakespeare: Edward Bond's Lear (1971); 10. The strategy of play: Caryl Churchill's Cloud Nine (1979); Conclusion; Notes; Select bibliography; Index.
Recenzii
'… an authoritative and challenging addition to the woefully short list of scholarly books on some of our best neglected dramatic assets.' Theatre Notebook
'Now that mainstream British theatre seems to have remembered politics, it is useful to recall, with Michael Patterson's help, that political creeds used to inspire stands on the theatrical barricades, if nowhere else.' The Times Literary Supplement
'Now that mainstream British theatre seems to have remembered politics, it is useful to recall, with Michael Patterson's help, that political creeds used to inspire stands on the theatrical barricades, if nowhere else.' The Times Literary Supplement
Notă biografică
Michael Patterson was born and educated in Barnsley, South Yorkshire. After thirty five years working in Marketing and Senior Management, with Coca-Cola, McDonald's and Esselte, redundancy gave him the opportunity his own on line business, selling lamination machines and consumables, as well as finding time to write crime novels. It also gave him the time to concentrate on his writing. Married with two children, he lives in Frimley Green, Surrey.
Descriere
Provides theoretical framework for important play-writing in Britain in the second half of the twentieth century.