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Symposium de Plato

Symposium

Autor Plato
en Limba Engleză Paperback – 24 iun 2023

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The Symposium is a philosophical text by Plato dated c. 385-370 BC. It concerns itself at one level with the genesis, purpose and nature of love, and (in latter-day interpretations) is the origin of the concept of Platonic love.

Love is examined in a sequence of speeches by men attending a symposium, or drinking party. Each man must deliver an encomium, a speech in praise of Love (Eros).

Plato sets the action at a party hosted by the poet Agathon to celebrate his first victory in a dramatic competition, the Dionysia of 416 BCE. There a discussion develops between the guests on the theme of love.

Socrates in his speech asserts that the highest purpose of love is to become a philosopher or, literally, a lover of wisdom. Commonly regarded as one of Plato's major works, the dialogue has been used as a source by social historians seeking to throw light on life in ancient Athens - in particular, upon human sexuality and the symposium as an institution.

The Symposium was written as a dramatic dialogue - a form used by Plato in more than thirty works - and, according to Walter Hamilton, it is his most perfect one. Set in Athenian social life, it develops the themes of love and also of Socrates' character. There is little doubt that the content of the dialogue is fictitious, although Plato has built a very realistic atmosphere.

The dialogue's seven major speeches are delivered by:

Phaedrus (speech begins 178a): was an Athenian aristocrat associated with the inner-circle of the philosopher Socrates, familiar from Phaedrus and other dialogues.
Pausanias (speech begins 180c): the legal expert.
Eryximachus (speech begins 186a): a physician.
Aristophanes (speech begins 189c): the eminent comic playwright.
Agathon (speech begins 195a): a tragic poet, host of the banquet, that celebrates the triumph of his first tragedy.
Socrates (speech begins 201d): the eminent philosopher and Plato's teacher.
Alcibiades (speech begins 214e): a prominent Athenian statesman, orator and general.

Plato's Symposium is one of the best loved classics from the ancient world, a work of consummate beauty as both philosophy and as literature, most appropriate since the topic of this dialogue is the nature of love and includes much philosophizing on beauty.

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Specificații

ISBN-13: 9781774419847
ISBN-10: 177441984X
Pagini: 74
Dimensiuni: 152 x 229 x 4 mm
Greutate: 0.12 kg
Editura: Binker North

Notă biografică

Plato was an ancient Greek philosopher born in Athens during the Classical period in Ancient Greece. In Athens, Plato founded the Academy, a philosophical school where he taught the philosophical doctrines that would later become known as Platonism. Plato (or Platon) was a pen name derived, apparently, from the nickname given to him by his wrestling coach - allegedly a reference to his physical broadness. According to Alexander of Miletus quoted by Diogenes of Sinope his actual name was Aristocles, son of Ariston, of the deme Collytus (Collytus being a district of Athens).Plato was an innovator of the written dialogue and dialectic forms in philosophy. He raised problems for what later became all the major areas of both theoretical philosophy and practical philosophy. His most famous contribution is the Theory of forms, which has been interpreted as advancing a solution to what is now known as the problem of universals. He is also the namesake of Platonic love and the Platonic solids.His own most decisive philosophical influences are usually thought to have been, along with Socrates, the pre-Socratics Pythagoras, Heraclitus, and Parmenides, although few of his predecessors' works remain extant and much of what we know about these figures today derives from Plato himself.[a]Along with his teacher, Socrates, and his student, Aristotle, Plato is a central figure in the history of philosophy.[b] Unlike the work of nearly all of his contemporaries, Plato's entire body of work is believed to have survived intact for over 2,400 years.[6] Although their popularity has fluctuated, Plato's works have consistently been read and studied. Through Neoplatonism Plato also greatly influenced both Christian and Islamic philosophy (through e.g. Al-Farabi). In modern times, Alfred North Whitehead famously said: "the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato.

Descriere

Descriere de la o altă ediție sau format:
In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC at which the guests - including the comic poet Aristophanes and, of course, Plato's mentor Socrates - each deliver a short speech in praise of love. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness. And then into the party bursts the drunken Alcibiades, the most popular and notorious Athenian of the time, who insists on praising Socrates himself rather than love, and gives us a brilliant sketch of this enigmatic character.The power, humour, and pathos of Plato's creation engages the reader on every page. This new translation is complemented by full explanatory notes and an illuminating introduction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Recenzii

The Symposium challenges the translator who is also a poet in its range of styles which is unique among the Platonic dialogues. Not only dues the translator have to mimic the distinct style of the narrator, Apollodoros, and the seven symposiasts...he has to mind and represent the action in this the most dramatic of the Platonic dialogues. Sharon's translation meets these challenges and is a brilliant recovery of the style and drama of the Symposium. I know of no other translation that is so appropriately various in the styles adopted by and for the speakers or which is so attentive to the drama of this dialogue which celebrates a tragic victory. -- Diskin Clay, Duke University

Cuprins

The SymposiumPreface
Introduction

The Symposium

Notes
Select Bibliography