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T&T Clark Handbook of Jesus and Film: T&T Clark Handbooks

Editat de Professor Richard Walsh
en Limba Engleză Paperback – 19 oct 2022
The T&T Clark Handbook of Jesus and Film introduces postgraduate readers to the critical field of Jesus and/on film. The bulk of biblical films feature Jesus, as protagonist, in cameo, or as a looming background presence or pattern. The handbook assesses the field in light of the work of important biblical film critics including chapters from the leading voices in the field and showcasing the diversity of work done by scholars in the field. Movies discussed include The Passion of the Christ, The King of Kings, Jesus of Nazareth, Monty Python's Life of Brian, Son of Man, and Mary Magdalene. The chapters range across two broad areas: 1) Jesus films, understood broadly as filmed passion plays, other relocations of Jesus, historical Jesus treatments, and Jesus adjacent cinema (privileging invented characters or "minor" gospel characters); and 2) other cinematic Jesuses, including followers who imitate Jesus devotionally or aesthetically, (Christian) Christ figures, antichrists, yet other messiahs, and competing Jesuses in a pluralist world. As one leaves the confines of Christian theology, the question of what a film or interpreter is doing with Jesus or Christ becomes something to be determined, not necessarily something traditional.
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Specificații

ISBN-13: 9780567698391
ISBN-10: 0567698394
Pagini: 376
Ilustrații: 37 bw illus
Dimensiuni: 169 x 244 x 24 mm
Greutate: 0.59 kg
Editura: Bloomsbury Publishing
Colecția T&T Clark
Seria T&T Clark Handbooks

Locul publicării:London, United Kingdom

Caracteristici

In addition to specific films and traditions the Handbook provides theoretical perspectives from both biblical and film criticism and perspectives from politics

Notă biografică

Richard Walsh is Womack Professor of Religion and Philosophy at Methodist University, USA.

Cuprins

List of FiguresList of ContributorsIntroduction: The Jesus Film Tradition - Richard Walsh, Methodist University, USAPart One: The Jesus Film Tradition1. Obscure Gospel Elements in Jesus Films - Peter T. Chattaway, film critic, Canada2. "Who Do you Say That I Am?" Responses to Cinema Sequences of the Woman Taken in Adultery - Peter Malone, Catholic priest and teacher, Australia3. One Hundred Years of Cinematic Attempts at Raising a Stiff (Jn 11:1-46) - Jeffrey L. Staley, retired, Seattle University, USA4. Seeing Differently with Mary Magdalene - Michelle Fletcher, King's College London, UK5. Inculturation and Actualization: Rabah Ameur-Zaïmeche's Histoire de Judas - Reinhold Zwick, University of Münster, Germany6. Through Other Eyes: Point of View and Defamiliarization in Jesus Films - Steven D. Greydanus, Decent Films, USA7. The First Seventy Years of Jesus Films: A Canonical, Source-Critical History - Jeffrey L. Staley, retired, Seattle University, USA8. Reading the Gospel(s) in the Dark: The Gospel Effect - Richard Walsh, Methodist University, USA9. The "False Syllogism" of Archaeological Authenticity in Jesus Movies - Kevin M. McGeough, University of Lethbridge, Canada10. Jesus of Cinecittà - Matthew Page, BibleFilmsBlog, UK11. Three Revolutionary Gospel Films: By the People, with the People, and for the People - Lloyd Baugh, retired, Gregorian University Rome, Italy12. Jesus in a Modern Contemporary Context - Freek L. Bakker, retired, Utrecht University, the Netherlands13. Miéville, Godard, and Dolto: The Psychoanalysis of Mary and Joseph - Anne Moore, Calgary University, Canada14. From the New Testament to The Brand New Testament: Moving Beyond "Jesus" Films - Caroline Vander Stichele, University of Tilburg, the Netherlands Part Two: Other Jesuses, Christs, Messiahs, Sons of Men .15. "Walk[ing] upon that Gospel Highway": Experiencing Physical Pilgrimages, Places, and People in The Gospel Road: A Story of Jesus - James M. Cochran, Hartwick College, USA16 Scorsese's Jesus: Christology in The Last Temptation of Christ and Silence - Rhonda Burnette-Bletsch, Eastern University, USA17. Obviously, It's a Christ-figure Movie.Or is It? - Robert K. Johnston, Codirector of the Reel Spirituality Institute, Fuller Theological Seminary, USA18. Sacred Subtexts and the Biblical Buttressing of Klaatu as a Christ Figure in The Day the Earth Stood Still (1951) - Anton Karl Kozlovic, Flinders University, Australia19. Guillermo del Toro's El laberinto del fauno (Pan's Labyrinth) and the Subversion of the Cinematic Jesus/Christ figure - Matthew S. Rindge, Gonzaga University, USA20. Failed Christ Figures in Québec Films - Adele Reinhartz, University of Ottawa, Canada21. (Un)Holy Saturday - Tina Pippin, Agnes Scott College, USA22. The Bible in the Star Trek Universe (2000-19) - Larry J. Kreitzer, University of Oxford, UK23. A Modest Proposal for Christ-Figure Interpretations: Explicated with Two Test Cases - Richard Walsh, Methodist University, USA24. Messianism and the Horror Film: Transcendence and Salvation in The Mist and Martyrs - Brandon R. Grafius, Ecumenical Theological Seminary, USA25. "It's Alive!": Frankenstein and His Horrible Fellows as Messianic Figures - Robert Paul Seesengood, Albright College, USA26. Founding the New Old State: Messianic Cowboys on the Frontiers of Europe and America - Ward Blanton, University of Kent, and James Crossley, St. Mary's University, UK27. Lars and the Real Girl as a Son of Man Story - George Aichele, retired, Adrian College, USABibliographyIndex

Recenzii

The volume provides a helpful survey of the issues addressed and methods used in biblical film criticism.
This handbook, comprised of essays written by the leading scholars in the field, truly showcases the current state of Jesus film studies and, crucially, the possible futures of the field. Richard Walsh has brought together a collection that forms an indispensable source on the scholarship of the manifold cinematic imaginings of Jesus, Christ, and other messianic figures, not only for scholars of theology and religion, but also for media and cultural studies scholars.
Richard Walsh's exhaustively researched and sharply observed handbook examines how and why artists from around the world have appropriated the figure of Jesus as well as the symbol of Christ, emerging with a plurality of Screen Saviors. The result -an adroit anthology that captures, with bracing clarity, the Nazarene's enduring legacy within our culture - is riveting.
Scholars of film and religion interested in the person of Jesus will find plenty of insights in the individual chapters expertly collected and curated by Walsh.