Tea, Fragrance, and Music: Ephemeral Arts and the Formation of Scholar-Artist Communities in Northern Song China: Ancient Languages and Civilizations, cartea 9
Autor Kin Sum Lien Limba Engleză Hardback – 5 dec 2024
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Specificații
ISBN-13: 9789004528901
ISBN-10: 9004528903
Pagini: 230
Dimensiuni: 155 x 235 mm
Greutate: 0.56 kg
Editura: Brill
Colecția Brill
Seria Ancient Languages and Civilizations
ISBN-10: 9004528903
Pagini: 230
Dimensiuni: 155 x 235 mm
Greutate: 0.56 kg
Editura: Brill
Colecția Brill
Seria Ancient Languages and Civilizations
Notă biografică
Kin Sum (Sammy) LI, PhD (Princeton 2015), is Associate Professor at the Department of History, Hong Kong Baptist University. He has published articles on the history of mass production in the ancient world and he attempts to study industrial art with the assistance of modern technology. Recently he develops an interest in the history of tea cultures.
Cuprins
Acknowledgements
List of maps, figures, and tables
Abbreviations
Chronology, dating, protagonists, and conventions
Introduction
1 Cultures of tea, fragrance, and qin music today
2 Key terms, main arguments, and approaches
3 Community formation and scholar-artists
4 Community formation involving people, materials, experiences, and ephemeral practices
1 Cultural construct
1 Relationship between tea, fragrance, and music
2 Tea
3 Fragrances and aromatic substances
4 Music from the qin and the prosody
2 Economic construct
1 Tea and utensils
2 Aromatic substances
3Qin
4 Transportation
3 Artistic construct
1 Literati gatherings as constructed in paintings
2 Forming their own visual language
3 Tea in literary works
4 Aromatic substances in literary works
5Qin in literary works
Conclusion
1 Summary
2 The formation of scholar-artist communities
3 Methodological reflections on the history of art
4 Impact on contemporary issues
Bibliography
Appendix 1: Tea utensils
Appendix 2: Images of water at different temperatures
Appendix 3: Process of one of the simulation experiments of tea-tipping
Appendix 4: Length of time, whisking frequency, and angle of inclination of whisking
Glossary
Index
List of maps, figures, and tables
Abbreviations
Chronology, dating, protagonists, and conventions
Introduction
1 Cultures of tea, fragrance, and qin music today
2 Key terms, main arguments, and approaches
3 Community formation and scholar-artists
4 Community formation involving people, materials, experiences, and ephemeral practices
1 Cultural construct
1 Relationship between tea, fragrance, and music
2 Tea
3 Fragrances and aromatic substances
4 Music from the qin and the prosody
2 Economic construct
1 Tea and utensils
2 Aromatic substances
3Qin
4 Transportation
3 Artistic construct
1 Literati gatherings as constructed in paintings
2 Forming their own visual language
3 Tea in literary works
4 Aromatic substances in literary works
5Qin in literary works
Conclusion
1 Summary
2 The formation of scholar-artist communities
3 Methodological reflections on the history of art
4 Impact on contemporary issues
Bibliography
Appendix 1: Tea utensils
Appendix 2: Images of water at different temperatures
Appendix 3: Process of one of the simulation experiments of tea-tipping
Appendix 4: Length of time, whisking frequency, and angle of inclination of whisking
Glossary
Index