Teaching and Learning Shakespeare through Theatre-based Practice
Editat de Tracy Irish, Jennifer Kitchenen Limba Engleză Paperback – 24 ian 2024
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Specificații
ISBN-13: 9781350292048
ISBN-10: 1350292044
Pagini: 216
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
ISBN-10: 1350292044
Pagini: 216
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
Caracteristici
Encompasses a range of scholarly, theatrical and educational voices, drawing on work with and interviews from a wide variety of organizations, including the Royal Shakespeare Company, Shakespeare's Globe, the Folger and Shakespeare Schools Foundation, among many others
Notă biografică
Tracy Irish is an associate learningpractitioner with the RSC and a visiting lecturer at the ShakespeareInstitute, University of Birmingham, UK. She is is a theatre practitioner, education researcher and teacher with a specialism in Shakespeare and communication. Jennifer Kitchen is an honorary research fellow at The University of Warwick and also teaches at The University of Glasgow, UK. She is a theatre education practitioner and researcher with a focus on Shakespeare and social justice.
Cuprins
Notes on ContributorsForeword, James StredderAcknowledgementsNote on the TextIntroductionPart 1: Perspectives from Multidisciplinary ResearchChapter 1: The Pedagogy QuestionChapter 2: The Cultural Capital QuestionChapter 3: The Literature QuestionChapter 4: The Language Question Part 2: Perspectives from Organizations and Practitioners Chapter 5: Perspectives from Organizations and Practitioners: IntroductionChapter 6: Aims, Scope and Areas of FocusChapter 7: On Teaching, Schools, and CultureChapter 8: Why Shakespeare?Part 3: Perspectives from the Classroom Chapter 9: Perspectives from the Classroom: IntroductionChapter 10: Dirty Shakespeare: Outdoor Learning with Primary Pupils, Mary Carey (Primary School Teacher, Channel Islands)Chapter 11: How Relevant is Shakespeare in an International School Context?, Judith Berends O'Brien (Secondary School Teacher, international)Chapter 12: Macbeth: Utilising Students' Code-Switching as a Tool for Engaging with Shakespeare at Secondary Level, Kirsty Emmerson (Secondary School Teacher, UK)Chapter 13: Salvaging the Bard: A Success Story of Theatre-based Practice for Neurodiverse Learners, Eleni Kmeic (International Theatre & Dance Project, Greece and ICON-School for the Arts, USA)Chapter 14: Transference and Integration: Using Shakespeare to Teach Composition, Carol Parker (Pikes Peak State College, USA)Chapter 15: Theatre-based Pedagogy in a 'Knowledge-based' Curriculum: Perspectives from Initial Teacher Education, Karen McGivern (Teacher Educator)Chapter 16: Much Ado about Decolonizing Shakespeare, Nobulali Dangazeli (ShakeXperience, South Africa) EpilogueReferencesIndex
Recenzii
This timely, important publication reinforces the continuing significance of Shakespeare in the school and university curriculum. It reminds students and teachers that active, creative and diverse approaches to the plays are rewarding and relevant.
Even as theatre companies scramble for financial footing and beloved plays become contested ground, Irish and Kitchen present a multidisciplinary case for active or embodied Shakespeare teaching. This book provides a dynamic survey of experiential, joyful and community-building theatre work for classrooms that should convince artists and teachers not to cede a curricular inch to standardized testing - or to rely exclusively on written analytic work - and instead to explore, with students, the benefits of social meaning-making with Shakespeare texts. The editors incorporate insights from social science, neuroscience and educational theorists. They profile directors of established and innovative global theatre education programs and highlight the voices of expert practitioners. Weaving together these perspectives, Irish and Kitchen create a compelling argument for theatre-based Shakespeare teaching: fundamentally intercultural and democratic by respecting students' lives, providing academic and socio-emotional learning and encouraging critical questions of culture.
This is a brilliant book and a must read for all artists, educators and researchers with an interest in the teaching of Shakespeare through theatre-based pedagogies. The breadth of its theoretical grounding is remarkable and synthesises beautifully with the diverse accounts of inclusive practice that follow. The passion of the authors, grounded in knowledge and experience, shines through every page, leaving the reader in no doubt about the continuing relevance of Shakespeare to the lives of today's young people and some of the most pressing social and cultural issues of our time.
Even as theatre companies scramble for financial footing and beloved plays become contested ground, Irish and Kitchen present a multidisciplinary case for active or embodied Shakespeare teaching. This book provides a dynamic survey of experiential, joyful and community-building theatre work for classrooms that should convince artists and teachers not to cede a curricular inch to standardized testing - or to rely exclusively on written analytic work - and instead to explore, with students, the benefits of social meaning-making with Shakespeare texts. The editors incorporate insights from social science, neuroscience and educational theorists. They profile directors of established and innovative global theatre education programs and highlight the voices of expert practitioners. Weaving together these perspectives, Irish and Kitchen create a compelling argument for theatre-based Shakespeare teaching: fundamentally intercultural and democratic by respecting students' lives, providing academic and socio-emotional learning and encouraging critical questions of culture.
This is a brilliant book and a must read for all artists, educators and researchers with an interest in the teaching of Shakespeare through theatre-based pedagogies. The breadth of its theoretical grounding is remarkable and synthesises beautifully with the diverse accounts of inclusive practice that follow. The passion of the authors, grounded in knowledge and experience, shines through every page, leaving the reader in no doubt about the continuing relevance of Shakespeare to the lives of today's young people and some of the most pressing social and cultural issues of our time.