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Tears, Liquids and Porous Bodies in Literature Across the Ages: Niobe’s Siblings

Autor Norbert Lennartz
en Limba Engleză Paperback – 22 mar 2023
Taking in works from writers as diverse as William Shakespeare, William Wordsworth, Charlotte Brontë, John Keats, James Joyce and D.H. Lawrence, this book spans approximately 300 years and unpacks how bodily liquidity, porosity and petrification recur as a pattern and underlie the chequered history of the body and genders in literature.Lennartz examines the precarious relationship between porosity and its opposite - closure, containment and stoniness - and explores literary history as a meandering narrative in which 'female' porosity and 'manly' stoniness clash, showing how different societies and epochs respond to and engage with bodily porosity.This book considers the ways that this relationship is constantly renegotiated and where effusive and 'feminine' genres, such as 'sloppy' letters and streams of consciousness, are pitted against stony and astringent forms of masculinity, like epitaphs, sonnets and the Bildungsroman.
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Specificații

ISBN-13: 9781350187115
ISBN-10: 1350187119
Pagini: 280
Ilustrații: 8 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Notă biografică

Norbert Lennartz is Professor of English Literature at the University of Vechta, Germany. He has published widely on Romanticism, in particular on Byron, and on the paragons of the Victorian Age (Dickens, Hardy, Wilde).

Cuprins

PrefaceAcknowledgements1. Introduction2. Porous Bodies and the Discovery of Pores3. Niobean Bodies in Romantic Times4. Far from the Madding Romantic Crowd: The Anti-Porous Turn in the Victorian Age5. (Re-)Liquefaction at the Dawn of the 20th Century6. Niobean AftermathsBibliographyIndex

Recenzii

Lennartz provides a fascinating, hyper-focused close re-reading of a host of canonical texts spanning roughly three hundred years ... [The book] pays unflinching attention to the liquid grotesque in the canon and provides an explicit treatment of the body and its leakiness without resorting to 'metaphorical fig leaves' or the stony limitations of chronology.