Television at the Movies: Cinematic and Critical Responses to American Broadcasting
Autor PhD Jon Nelson Wagner, PhD Tracy Biga MacLeanen Limba Engleză Paperback – 18 iul 2008
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Specificații
ISBN-13: 9780826429636
ISBN-10: 0826429637
Pagini: 240
Dimensiuni: 153 x 228 x 18 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
ISBN-10: 0826429637
Pagini: 240
Dimensiuni: 153 x 228 x 18 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
Caracteristici
Discusses accessible textsâ?"films are available on video or dvd and critical texts are readily available. The discussions can then be connected to pertinent, currently-broadcasted television shows and contemporary films.
Cuprins
Acknowledgments1. Introduction2. Elegy3. Paranoia4. New Flesh5. The Vidiot6. Apocalypse7. Nostalgia8. Feminization9. Noir Fatal10. Seriality11. Is There an Audience in the House?NotesFilmographyBibliographyIndex
Recenzii
Having mated with its mother, radio, television set out to kill the father, the Movies - and this book by Jon Nelson Wagner and Tracy Biga MacLean chronicles the Oedipal standoff that's raged between the two media ever since. Insightful, brilliant and not a little subversive, Television at the Movies is instantly definitive, with new revelations about both movies and TV revealed in each other's glow. Steve Erickson, author of Zeroville (2007), Our Ecstatic Days (2006), and many more
Jon Nelson Wagner and Tracy Biga MacLean have a style at once limpid and poetic, along with a judiciousness that allows them to make use of the best in the tradition of grand theory while being refreshingly critical of that theory's "overblown hostility" to its own objects of study. Through brilliant analyses of a half century's cinematic representations of TV, they show this hostility to be an essential ingredient of classic broadcast TV's "irresolute imaginary" and offer a history of the idea of television, a history of the framing of its reception for audiences and academic analysts alike. Rather than condemning TV or cinema for their ideological instrumentality, Wagner and MacLean challenge us to accept the "fearsome work of enjoyment," to understand and appreciate television's powers and its pleasures. Tom Lutz, author of Crying: The Natural and Cultural History of Tears (1999); Cosmopolitan Vistas: American Regionalism and Literary Value (2004); Doing Nothing: A History of Loafers, Loungers, Slackers and Bums in America (2007)
Jon Nelson Wagner and Tracy Biga MacLean have a style at once limpid and poetic, along with a judiciousness that allows them to make use of the best in the tradition of grand theory while being refreshingly critical of that theory's "overblown hostility" to its own objects of study. Through brilliant analyses of a half century's cinematic representations of TV, they show this hostility to be an essential ingredient of classic broadcast TV's "irresolute imaginary" and offer a history of the idea of television, a history of the framing of its reception for audiences and academic analysts alike. Rather than condemning TV or cinema for their ideological instrumentality, Wagner and MacLean challenge us to accept the "fearsome work of enjoyment," to understand and appreciate television's powers and its pleasures. Tom Lutz, author of Crying: The Natural and Cultural History of Tears (1999); Cosmopolitan Vistas: American Regionalism and Literary Value (2004); Doing Nothing: A History of Loafers, Loungers, Slackers and Bums in America (2007)