Television Drama in the Age of Streaming: Transnational Strategies and Digital Production Cultures at the NRK
Autor Vilde Schanke Sundeten Limba Engleză Paperback – 3 apr 2022
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| Springer International Publishing – 3 apr 2022 | 423.12 lei 6-8 săpt. | |
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| Springer International Publishing – 3 apr 2021 | 428.97 lei 6-8 săpt. |
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Specificații
ISBN-13: 9783030664206
ISBN-10: 3030664201
Pagini: 147
Ilustrații: XI, 147 p. 13 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.2 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Pivot
Locul publicării:Cham, Switzerland
ISBN-10: 3030664201
Pagini: 147
Ilustrații: XI, 147 p. 13 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.2 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Pivot
Locul publicării:Cham, Switzerland
Cuprins
1. National Television, Drama, and Streaming.- 2. Industry Perceptions of Streaming.- 3. Changing Production Cultures.- 4. Changing Publishing Strategies.- 5. Changing Industry-Audience Relations.- 6. The End of Television and the New Beginning.-
Recenzii
“Sundet provides both historical sources and deep knowledge of contemporary TV scholarship. … the research presented here is especially ripe for researchers of twenty-first century public service media, since some of the issues – especially those relating to the challenges between nationally-oriented public service media and international/global streaming services –apply to public service broadcasters other than Norwegian NRK.” (Kim Toft Hansen, Critical Studies in Television, May 07, 2022)
Notă biografică
Vilde Schanke Sundet (PhD) is a researcher in media and communication at the University of Oslo, Norway. She has published extensively on topics of television production, media industries, media policy and audiences/Fans, and she is an expert on online drama.
Textul de pe ultima copertă
“Brilliantly combining production studies with fan studies, Television Drama in the Age of Streaming is state-of-the-art scholarship. Vilde Schanke Sundet has interviewed an array of industry insiders, expertly analysing executives’ strategies, digital flagship productions, and new paradoxes of audience making. Streaming may have shifted contemporary TV drama into a “world championship” of globalised brands, but Sundet reminds us of the need to focus on national and cultural contexts. There’s so much great content in this book, I binged it in one sitting. And now you can too.”
Matt Hills, Professor, University of Huddersfield, UK
“This excellent book engagingly explores why the television industries are changing in the age of streaming and how to think of the implications from a specific national and cultural perspective as well as from an international and transnational point of view. The book is an important contribution to media industry and television studies (or should one now say streaming studies?).”
Eva Novrup Redvall, Associate Professor, University of Copenhagen, Denmark
This book examines television drama in the age of streaming—a time when television has been reshaped for national and international consumption via both linear ‘flow’ and on-demand user modes. It builds on an in-depth study of the Norwegian public service broadcaster (NRK) and some of its game-changing drama productions (Lilyhammer, SKAM, blank). The book portrays the formative first decade of television streaming, how streaming services and incumbent television providers intersect and act in a new drama landscape, and how streaming impacts production cultures, publishing models and industry-audience relations. The analysis draws on insight gained through more than a hundred interviews with television experts and fans, hundreds of hours of observations, and unique access to industry conferences,meetings, working documents, and ratings. It combines perspectives from production studies, media industry studies, and fan studies.
Vilde Schanke Sundet (PhD) is a researcher in media and communication at the University of Oslo, Norway. She has published extensively on topics of television production, media industries, media policy, and audiences/fans.
Matt Hills, Professor, University of Huddersfield, UK
“This excellent book engagingly explores why the television industries are changing in the age of streaming and how to think of the implications from a specific national and cultural perspective as well as from an international and transnational point of view. The book is an important contribution to media industry and television studies (or should one now say streaming studies?).”
Eva Novrup Redvall, Associate Professor, University of Copenhagen, Denmark
This book examines television drama in the age of streaming—a time when television has been reshaped for national and international consumption via both linear ‘flow’ and on-demand user modes. It builds on an in-depth study of the Norwegian public service broadcaster (NRK) and some of its game-changing drama productions (Lilyhammer, SKAM, blank). The book portrays the formative first decade of television streaming, how streaming services and incumbent television providers intersect and act in a new drama landscape, and how streaming impacts production cultures, publishing models and industry-audience relations. The analysis draws on insight gained through more than a hundred interviews with television experts and fans, hundreds of hours of observations, and unique access to industry conferences,meetings, working documents, and ratings. It combines perspectives from production studies, media industry studies, and fan studies.
Vilde Schanke Sundet (PhD) is a researcher in media and communication at the University of Oslo, Norway. She has published extensively on topics of television production, media industries, media policy, and audiences/fans.
Caracteristici
Combines perspectives from production studies, media industry studies and studies of television drama with perspectives related to globalisation, the public interest and the ‘end of television’ discourse to build an analytical framework for discussing television production in the years to come Supplies unique empirical insight into a small selection of novel drama productions (most importantly, Lilyhammer and SKAM/SHAME) and the production culture and organisational context that surround them Contributes to the field by combining US and European perspectives on television production in times of change