Temporality and Film Analysis

en Limba Engleză Hardback – 13 aug 2012 – vârsta de la 22 ani

Argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. It is suitable for students and scholars in Film Studies.

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Specificații

ISBN-13: 9780748643462
ISBN-10: 074864346X
Pagini: 202
Dimensiuni: 155 x 239 x 20 mm
Greutate: 0.59 kg
Editura: EDINBURGH UNIVERSITY PRESS

Notă biografică

Matilda Mroz is a Research Fellow at the Department of Slavonic Studies, Faculty of Modern and Medieval Languages, University of Cambridge.

Descriere

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This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. From this vantage point, the book reviews two major strands of film theory: embodied viewing and the senses, and the film-philosophy of Gilles Deleuze. Unlike much contemporary film theory, Mroz's book emphasises the necessity of considering the close relationship between intellectual comprehension and sensual apprehension, as mediated through film aesthetics. In the duration of the film experience, sensual responses to filmed textures and the interpretive contexts that we inevitably bring to bear on films are continually interacting. Exactly how this occurs is demonstrated in detailed case studies of films by Antonioni (L'Avventura), Tarkovsky (Mirror) and Kieslowski (The Decalogue).

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