Teyler’s Foundation in Haarlem and Its ‘Book and Art Room’ of 1779: A Key Moment in the History of a Learned Institution: Scientific and Learned Cultures and Their Institutions, cartea 29
Editat de Ellinoor S. Bergvelt, Debora J. Meijersen Limba Engleză Hardback – 16 dec 2020
Contributors: Ellinoor S. Bergvelt, Terry van Druten, Arnold Heumakers, Eric Jorink, Paul Knolle, Debora Meijers, Wijnand Mijnhardt, Bert Sliggers, Koenraad Vos, and Holger Zaunstöck.
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Specificații
ISBN-13: 9789004440999
ISBN-10: 9004440992
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Scientific and Learned Cultures and Their Institutions
ISBN-10: 9004440992
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Scientific and Learned Cultures and Their Institutions
Cuprins
Preface
List of Illustrations
Abbreviations
Notes on Contributors
PART 1
Introduction and Background
1 Purpose and Structure of the Book
Debora J. Meijers and Ellinoor S. Bergvelt
2 Teyler’s Foundation and the Two Societies: Emergence and Development up to c. 1800
Debora J. Meijers
3 A Museum within the Foundation, 1779–2020
Debora J. Meijers
PART 2
Teyler’s as a Case in a Re-reading of the History of Science
4 ‘The World We Have Lost’: In Praise of a Comprehensive Ideal of Science and Scholarship
Wijnand W. Mijnhardt
5 The First Museum in the Netherlands? The Establishment of Teyler’s Oval Room in Historical Perspective (c. 1600–1800)
Eric Jorink
6 How to Collect Minerals, Rocks and Fossils for a Museum: The International Networks of Martinus van Marum (1750–1837)
Bert Sliggers
PART 3
Teyler’s between the Natural Sciences and the Visual Arts
7 ‘Truth-to-Nature’ in the Museum? Wybrand Hendriks, Martinus van Marum and the ‘Reasoned Image’
Koenraad Vos
8 An Asset to Art. The Purchase of Italian Old Master Drawings from the Odescalchi Collection in Rome by Teyler’s Foundation in 1790: Motivation, Function, and the Context of Art Theory in the Netherlands
Paul Knolle
9 Collecting and Displaying Art in Teyler’s Museum, 1778–1885: The Usefulness of Drawings, Prints and Contemporary Paintings, and the Development of Public Access
Terry van Druten
PART 4
Teyler’s in an International Perspective
10 Visiting Haarlem: August Hermann Niemeyer, the Cabinet of Artefacts and Natural Curiosities at the Halle Orphanage, and Teyler’s Museum
Holger Zaunstöck
11 The Rise of the Modern Romantic Concept of Art and the Art Museum
Arnold Heumakers
Bibliography
Photo Credits
Index
List of Illustrations
Abbreviations
Notes on Contributors
PART 1
Introduction and Background
1 Purpose and Structure of the Book
Debora J. Meijers and Ellinoor S. Bergvelt
2 Teyler’s Foundation and the Two Societies: Emergence and Development up to c. 1800
Debora J. Meijers
3 A Museum within the Foundation, 1779–2020
Debora J. Meijers
PART 2
Teyler’s as a Case in a Re-reading of the History of Science
4 ‘The World We Have Lost’: In Praise of a Comprehensive Ideal of Science and Scholarship
Wijnand W. Mijnhardt
5 The First Museum in the Netherlands? The Establishment of Teyler’s Oval Room in Historical Perspective (c. 1600–1800)
Eric Jorink
6 How to Collect Minerals, Rocks and Fossils for a Museum: The International Networks of Martinus van Marum (1750–1837)
Bert Sliggers
PART 3
Teyler’s between the Natural Sciences and the Visual Arts
7 ‘Truth-to-Nature’ in the Museum? Wybrand Hendriks, Martinus van Marum and the ‘Reasoned Image’
Koenraad Vos
8 An Asset to Art. The Purchase of Italian Old Master Drawings from the Odescalchi Collection in Rome by Teyler’s Foundation in 1790: Motivation, Function, and the Context of Art Theory in the Netherlands
Paul Knolle
9 Collecting and Displaying Art in Teyler’s Museum, 1778–1885: The Usefulness of Drawings, Prints and Contemporary Paintings, and the Development of Public Access
Terry van Druten
PART 4
Teyler’s in an International Perspective
10 Visiting Haarlem: August Hermann Niemeyer, the Cabinet of Artefacts and Natural Curiosities at the Halle Orphanage, and Teyler’s Museum
Holger Zaunstöck
11 The Rise of the Modern Romantic Concept of Art and the Art Museum
Arnold Heumakers
Bibliography
Photo Credits
Index
Notă biografică
Ellinoor Bergvelt is Associate Professor Emeritus of Cultural History of Europe, University of Amsterdam, and Guest Researcher at that same university. She is also Research Fellow of Dulwich Picture Gallery (London), and Associate Researcher of the RKD (Netherlands Institute for Art History, The Hague). Among the publications she co-edited is De wereld binnen handbereik (‘Distant Worlds made Tangible’; Amsterdam Historical Museum, 1992).
Debora Meijers is Associate Professor Emeritus of Art History, University of Amsterdam, and Guest Researcher at that same university. Since 2006 she has been a member of the Royal Netherlands Academy of Arts and Sciences. Her publications deal with the interface between art and science; among them is The Paper Museum of the Academy of Sciences in St Petersburg, c. 1725–60 (2005).
Debora Meijers is Associate Professor Emeritus of Art History, University of Amsterdam, and Guest Researcher at that same university. Since 2006 she has been a member of the Royal Netherlands Academy of Arts and Sciences. Her publications deal with the interface between art and science; among them is The Paper Museum of the Academy of Sciences in St Petersburg, c. 1725–60 (2005).