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The African Diaspora and the Disciplines

Autor Tejumola Olaniyan, James H. Sweet, Kim D. Butler, Richard Price, Fatimah L. C. Jackson
en Limba Engleză Paperback – 3 iun 2010
Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.
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Specificații

ISBN-13: 9780253221919
ISBN-10: 0253221919
Pagini: 376
Ilustrații: 3 b&w illustrations
Dimensiuni: 157 x 233 x 22 mm
Greutate: 0.52 kg
Editura: MH – Indiana University Press

Cuprins

Acknowledgments; Introduction-; Tejumola Olaniyan and James H. Sweet; Part 1. Histories; 1. Clio and the Griot: The African Diaspora in the Discipline of History; Kim D. Butler; 2. African Diaspora and Anthropology; Richard Price; 3. How Genetics Can Provide Detail to the Transatlantic African Diaspora; Fatimah L. C. Jackson and Latifa F. J. Borgelin; 4. Landscapes and Places of Memory: African Diaspora Research and Geography; Judith A. Carney; 5. African Diaspora in Archaeology; Theresa A. Singleton; Part 2. Social Sciences; 6. Caribbean Sociology, Africa, and the African Diaspora; Paget Henry; 7. African Diaspora and Political Science; Robert Fatton, Jr.; 8. The African Diaspora and Philosophy; Olúfémi Táíwò; Part 3. Arts and Culture; 9. “Function at the Junction”?: African Diaspora Studies and Theatre Studies; Sandra L. Richards; 10. Ethnomusicology and the African Diaspora; Melvin L. Butler; 11. Semioptics of Africana Art History; Moyo Okediji; 12. Out of Context: Thinking Cultural Studies Diasporically; Grant Farred; Part 4. Diaspora Contexts; 13. African Diaspora Studies in the Creole-Anglophone Caribbean: A Perspective from the University of the West Indies, Mona, Jamaica; Carolyn Cooper; 14. South Africa’s Elusive Quest for an African Identity: The Ironies of a South Africa-led African Renaissance; Xolela Mangcu; 15. “Black Folk Here and There”: Repositioning Other(ed) African Diaspora(s) in/and “Europe”; Jayne O. IfekwunigweList of Contributors; Index

Recenzii

"Truly remarkable, innovative, important, and critical scholarship that is unparalleled in its interventions at the theoretical, conceptual, and methodological levels." Percy Hintzen, University of California, Berkeley

"Opens the way for a still emergent field, emergent in its attention to how global histories and processes figure in geographic regions and subjects beyond the Cold War configuration of regional political alliances." Paulla Ebron, Stanford University

Notă biografică

Tejumola Olaniyan is the Louise Durham Mead Professor of English and African Languages and Literature at the University of Wisconsin, Madison. He is author of Arrest the Music! (IUP, 2004).
James H. Sweet is Associate Professor of History at the University of Wisconsin, Madison. He is author of Recreating Africa: Culture, Kinship, and Religion in the African-Portuguese World, 1441¿1770.


Descriere

Charts a new course for African diaspora studies