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African Drama and Performance

Autor John Conteh–morgan, Tejumola Olaniyan
en Limba Engleză Paperback – 30 sep 2004
African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa s Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora are also considered. This dynamic volume underscores theatre s role in postcolonial society and politics and reexamines performance as a form of high art and everyday social ritual.
Contributors are Akin Adesokan, Daniel Avorgbedor, Karin Barber, Nicholas Brown, Catherine Cole, John Conteh-Morgan, Johannes Fabian, Joachim Fiebach, Marie-Jose Hourantier, Loren Kruger, Pius Ngandu Nkashama, Isidore Okpewho, Tejumola Olaniyan, Ato Quayson, Sandra L. Richards, Wole Soyinka, Dominic Thomas, and Bob W. White."
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Specificații

ISBN-13: 9780253217011
ISBN-10: 0253217016
Pagini: 288
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.42 kg
Editura: MH – Indiana University Press
Locul publicării:United States

Cuprins

Introduction: Tejumola Olaniyan and John Conteh-MorganPart 1. General Contexts 1. TBA Wole Soyinka; 2. Dimensions of Theatricality in AfricaJoachim Fiebach; 3. Theater and Anthropology, Theatricality and Culture Johannes Fabian; 4. Pre-Texts and Intermedia: African Theater and the Question of History Ato Quayson Part 2. Intercultural Negotiations 5. Soyinka, Euripides, and the Anxiety of Empire Isidore Okpewho; 6. Antigone in the “Land of the Incorruptible”: Sylvain Bemba's Noces posthumes pour Santigone (Black Wedding Candles for Blessed- Antigone) John Conteh-Morgan; 7. Gestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth Marie-José Hourantier; 8. Yoruba Gods on the American Stage: August Wilson's Joe Turner's Come and Gone Sandra L. Richards Part 3. Radical Politics and Aesthetics 9. Femi Osofisan: The Form of Uncommon Sense Tejumola Olaniyan; 10. Revolution and Recidivism: The Problem of Kenyan History in the Plays of Ngugi wa Thiong'o Nicholas Brown; 11. The Politics and Theater of Sony Labou Tansi Dominic Thomas Part 4. Popular Expressive Genres and the Performance of Culture 12. Theater for Development and TV Nation: Notes on Educational Soap Opera in South Africa Loren Kruger; 13. Literacy, Improvisation, and the Virtual Script in Yoruba Popular Theater Karin Barber; 14. Modernity's Trickster: “Dipping” and “Throwing” in Congolese Popular Dance Music Bob W. White; 15. How They See It: The Politics and Aesthetics of Nigeria Video Films Akin Adesokan Part 5. The Social as Drama 16. The Turner-Schechner Model of Performance as Social Drama: A Re-examination in Light of Anlo-Ewe Haló Daniel Avorgbedor; 17. Theaters of Truth, Acts of Reconciliation: The TRC in South Africa Catherine Cole; 18. Theatricality and Social Mimodrama Pius Ngandu Nkashama

Notă biografică

edited by John Conteh-Morgan, Tejumola Olaniyan

Descriere

Explores the diversity of the performing arts in Africa and the diaspora