The Army Corps of the First World War
Autor Michael Scotten Limba Engleză Paperback – 23 sep 2020
The Army Corps of WW1 were large organisational formations used to manage divisions, artillery and logistical support. In 1914 there was an expectation of a small Expeditionary Force with no need for any formation larger than a division. This idea was soon disabused and several Corps came into existence.
As the war progressed, the British formed many Corps across the theatres and campaigns. This is a brief history of each Corps, with profiles of commanders, a list of Divisions in each Corps, battle honours and headquarter locations. It does not cover units and regiments, such as the Tank Corps or Royal Army Medical Corps that have 'Corps'in their titles.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 178.17 lei 6-8 săpt. | |
Naval & Military Press Ltd – 23 sep 2020 | 178.17 lei 6-8 săpt. | |
Hardback (1) | 260.62 lei 6-8 săpt. | |
Naval & Military Press Ltd – 24 sep 2020 | 260.62 lei 6-8 săpt. |
Preț: 178.17 lei
Nou
Puncte Express: 267
Preț estimativ în valută:
34.10€ • 35.40$ • 28.43£
34.10€ • 35.40$ • 28.43£
Carte tipărită la comandă
Livrare economică 22 martie-05 aprilie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781783316991
ISBN-10: 1783316993
Pagini: 252
Dimensiuni: 148 x 210 x 14 mm
Greutate: 0.3 kg
Editura: Naval & Military Press Ltd
ISBN-10: 1783316993
Pagini: 252
Dimensiuni: 148 x 210 x 14 mm
Greutate: 0.3 kg
Editura: Naval & Military Press Ltd
Notă biografică
Michael Scott is Fellow and Senior Dean at Blackfriars Hall Oxford. He is the author of books on Shakespeare, Elizabethan / Jacobean and Twentieth Century Theatre, including 'John's Marston's Plays: Theme, Structure and Performance'; 'Renaissance Drama and a Modern Audience'; 'Shakespeare and the Modern Dramatist'; 'Shakespeare's Tragedies: All that Matters'; 'Shakespeare's Comedies: All that Matters'; 'Shakespeare: A Complete Introduction'. He was founding and general editor of 'The Text and Performance' series and of 'The Critics Debate' series. He is also co-editor of the 'Casebook on Harold Pinter: The Birthday Party, The Caretaker, The Homecoming'. With Deborah Cartmell, he co-edited 'Talking Shakespeare: Shakespeare into the Millennium'. He was on the editorial board, which relaunched 'Critical Survey' for O.U.P. He has lectured on Shakespeare in many countries around the world including India, China, U.S.A. as well as in the U.K., where he has given public lectures for the R.S.C. and the National Theatre. He also writes fiction under the name of Michael Kerr Scott.