Cantitate/Preț
Produs

The Art of John Webster: Routledge Revivals

Autor Ralph Berry
en Limba Engleză Paperback – 30 apr 2017
@text: The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 21403 lei  6-8 săpt.
  Taylor & Francis – 30 apr 2017 21403 lei  6-8 săpt.
Hardback (1) 64510 lei  6-8 săpt.
  Taylor & Francis – sep 2015 64510 lei  6-8 săpt.

Din seria Routledge Revivals

Preț: 21403 lei

Preț vechi: 25866 lei
-17% Nou

Puncte Express: 321

Preț estimativ în valută:
4096 4349$ 3393£

Carte tipărită la comandă

Livrare economică 25 decembrie 24 - 08 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781138120167
ISBN-10: 1138120162
Pagini: 194
Dimensiuni: 138 x 216 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Revivals

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

List of Plates;  Abbreviations;  Part One: Technique;  1. Introduction: Webster as Baroque Artist  2. Sensationalist and Movement  3. Irony, Parody, and Caricature  4. Character  5. Multiplicity and Unity  6. Conclusion;  Part Two: Themes;  1. Introduction  2. The White Devil  3. The Duchess of Malfi  4. The Devil’s Law-Case  5. Conclusion;  Index

Descriere

The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.