The Autobiographical Turn in Germanophone Documentary and Experimental Film: Screen Cultures: German Film and the Visual

Robin Curtis, Angelica Fenner

Preface and Acknowledgments Introduction "If people want to oppress you, they make you say 'I'": Hito Steyerl in Conversation The Impertinence of Saying "I": Sylvia Schedelbauer's Personal Documentaries Geography of a Swiss Body: Peter Liechti's Hans im Glück Reading Helke Misselwitz's Winter Adé as Multivocal Autobiography How Does It Feel to Be Foreign? Negotiating German Belonging and Transnational Asianness in Experimental Video Frankfurt Canteen: Eva Heldmann's fremd gehen. Gespräche mit meiner Freundin Mediated Memories of Migration and the National Visual Archive: Fatih Ak?n's Wir haben vergessen zurückzukehren History Runs through the Family: Framing the Nazi Past in Recent Autobiographical Documentary Clearing Out Family History: Thomas Haemmerli's Sieben Mulden und eine Leiche Re-Authoring the Self: Brinkmann's Zorn From Death to Life: Wim Wenders, Autobiography, and the Natural History of Cinema "Ich bin's, Fassbinder," or The Timing of the Self Filmography and Sources Bibliography Notes on the Contributors Index