The Many Faces of Weimar Cinema – Rediscovering Germany`s Filmic Legacy: Screen Cultures: German Film and the Visual
Autor Christian Rogowski, Anjeana K. Hans, Chris Wahl, Cynthia Walk, Elizabeth Ottoen Limba Engleză Paperback – 14 dec 2011
Din seria Screen Cultures: German Film and the Visual
- Preț: 395.26 lei
- Preț: 242.52 lei
- Preț: 240.28 lei
- 23% Preț: 713.38 lei
- Preț: 178.53 lei
- Preț: 131.74 lei
- Preț: 245.28 lei
- Preț: 253.20 lei
- 23% Preț: 874.15 lei
- 23% Preț: 713.22 lei
- 19% Preț: 632.45 lei
- 23% Preț: 712.52 lei
- 19% Preț: 634.32 lei
- 19% Preț: 663.01 lei
- 23% Preț: 710.76 lei
- 23% Preț: 711.32 lei
- 19% Preț: 663.79 lei
- 23% Preț: 712.65 lei
- 19% Preț: 686.87 lei
- 19% Preț: 689.02 lei
- 23% Preț: 712.52 lei
Preț: 256.68 lei
Nou
49.12€ • 51.03$ • 40.80£
Carte disponibilă
Livrare economică 13-27 ianuarie 25
Specificații
ISBN-10: 1571135324
Pagini: 368
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.54 kg
Editura: CAMDEN HOUSE
Seria Screen Cultures: German Film and the Visual
Descriere
Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema.
This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume.
Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F.
Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor of German at Amherst College.