The Avatar Television Franchise: Storytelling, Identity, Trauma, and Fandom
Editat de Francis M. Agnolien Limba Engleză Paperback – 24 iul 2024
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Specificații
ISBN-13: 9781501387210
ISBN-10: 1501387219
Pagini: 256
Ilustrații: 20 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501387219
Pagini: 256
Ilustrații: 20 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Encompasses a wide range of topics, ranging from close readings of key episodes to the impact of the franchise on the contemporary media landscape
Notă biografică
Francis M. Agnoli is an independent animation scholar in the USA. He received his PhD from the University of East Anglia, UK, where he researched the intersection between race and animation studies. His work has been published in the online journal Animation Studies, Animation: An Interdisciplinary Journal, and the edited collection Fantasy/Animation: Connections Between Media, Mediums and Genres (2018).
Cuprins
List of Images IntroductionFrancis M. Agnoli (Independent scholar, USA)Section 1: Storytelling 1. Noble Lady's Beauty Parlor: Ba Sing Se Fashion and Coding Shuyin Yu (University of Calgary, Canada) 2. Zuko Rides into the Sunset: Avatar and the Western Film Genre Francis M. Agnoli (Independent scholar, USA) 3. Environmental Bending: How Avatar: The Last Airbender Introduces Viewers to EnvironmentalismGia Coturri Sorenson (University of North Carolina at Greensboro, USA)Section 2: Identity4. Social Identity in Avatar: The Last Airbender Douglas Schulz (University of Bradford, UK)5. "What Does Me Being a Girl Have to do with Sewing?" Representations of Gender in Avatar: The Last Airbender Ruth Richards (Independent scholar, USA)6. A Queer Relationship: Mapping The Legend of Korra's Industrial Journey Across Mediums Emily Baulch (The University of Queensland, Australia) and Oliver Eklund (Queensland University of Technology, Australia) 7. Material-Spiritual Bodies: Posthuman Performativity of Avatar Safak Horzum (Hacettepe University) and Süleyman Bölükbas (Pennsylvania State University) Section 3: Trauma8. "Born in You, Along with All the Strife, is the Power to Restore Balance to the World": Exploring Representations of Children's Experiences of Trauma through Avatar: The Last AirbenderJoseph V. Giunta (Rutgers University-Camden, USA)9. Lessons from the Southern Air Temple: How Avatar: The Last Airbender Negotiates the Trauma of ImperialismRyanne Kap (University of Calgary, Canada)10. Far from the Last Airbender: Cultural Trauma Construction and Diasporic Reimaginings in Avatar and KorraCaleb Horowitz (Independent Scholar, USA)Section 4: Fandom and Reception11. From Fan Blogs to Earth Rumble VI: Disability Discourse on Avatar: The Last AirbenderMax Dosser (University of Pittsburgh, USA)12. Ships at the EdgeAshley Hendricks (Georgia State University, USA)13. Fans, Gender, and The Sequel: Analyzing Audience Reaction to The Legend of Korra Brecken Hunter Wellborn (The University of Texas at Dallas, USA)Index
Recenzii
Avatar: The Last Airbender and The Legend of Korra are 2 of the most beloved contemporary animated television programs, with multifaceted characters, intricate storylines and a beautifully-rendered and morally complex world. It is only fitting that they deserve a scholarly treatment worthy of their complexity. The Avatar Television Franchise: Storytelling, Identity, Trauma and Fandom is that volume. The essays constitute a remarkable and thorough investigation into the franchise as situated across multiple disciplines. This book is highly recommended as a comprehensive resource for students, researchers and fans alike.
It is always cause for celebration when new academic scholarship on animated media announces its arrival, and even more so when the final outcome is of this quality and scope. The international and interdisciplinary range of scholars assembled here takes the reader confidently through the metaphors, myths, and meanings of Nickelodeon's successful media franchise, exploring how and why each series has garnered such critical and commercial acclaim via impressive examinations of individual episodes, narrative arcs, character relations, and key themes. This collection will undoubtedly become a central text not just for the sustained focus that it affords its primary case studies, but for the effective conclusions drawn throughout that hold wide-ranging implications for the study of popular animation, contemporary U.S. television, on-demand and streaming platforms, fan communities, and children's media culture more broadly.
The Avatar Television Franchise: Storytelling, Identity, Trauma, Fandom and Reception provides an exceptionally eclectic collection of essays, approaching the series with a wide range of innovative methodological approaches. The result is a fascinating dive into varied thematic content across storytelling, identity, trauma, and fandom from multifaceted perspectives including feminism to posthumanism and beyond. A must read for those interested in mining the many different ways this series can be interpreted and what it might tell us about the world.
It is always cause for celebration when new academic scholarship on animated media announces its arrival, and even more so when the final outcome is of this quality and scope. The international and interdisciplinary range of scholars assembled here takes the reader confidently through the metaphors, myths, and meanings of Nickelodeon's successful media franchise, exploring how and why each series has garnered such critical and commercial acclaim via impressive examinations of individual episodes, narrative arcs, character relations, and key themes. This collection will undoubtedly become a central text not just for the sustained focus that it affords its primary case studies, but for the effective conclusions drawn throughout that hold wide-ranging implications for the study of popular animation, contemporary U.S. television, on-demand and streaming platforms, fan communities, and children's media culture more broadly.
The Avatar Television Franchise: Storytelling, Identity, Trauma, Fandom and Reception provides an exceptionally eclectic collection of essays, approaching the series with a wide range of innovative methodological approaches. The result is a fascinating dive into varied thematic content across storytelling, identity, trauma, and fandom from multifaceted perspectives including feminism to posthumanism and beyond. A must read for those interested in mining the many different ways this series can be interpreted and what it might tell us about the world.