Cantitate/Preț
Produs

The Beginnings of the Modern Philosophy of Music in England: Francis North's A Philosophical Essay of Musick (1677) with comments of Isaac Newton, Roger North and in the Philosophical Transactions

Autor Jamie C. Kassler
en Limba Engleză Paperback – 11 noi 2016
In 1677 a slim quarto volume was published anonymously as A Philosophical Essay of Musick. Written by Francis North (1637-85), chief justice of the Common Pleas, the Essay is in the form of a legal case argued from an hypothesis. Utilising the pendulum as his hypothesis, North provided a rationale from mechanics for the emerging new musical practice we now call 'tonality'. He also made auditory resonance the connecting link between acoustical events in the external world and the musical meanings the mind makes on the basis of sensory perception. Thus began the modern philosophy of music that culminated with the work of Hermann von Helmholtz. As a step towards understanding this tradition, Jamie C. Kassler examines the 1677 Essay in its historical context. After assessing three seventeenth-century criticisms of it and outlining how one critic developed some implications in the Essay, she summarises the basic principles that have guided the modern philosophy of music from its beginnings in the 1677 Essay. The book includes an annotated edition of the Essay as well as the comments of the three critics.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 33640 lei  6-8 săpt.
  Taylor & Francis – 11 noi 2016 33640 lei  6-8 săpt.
Hardback (1) 76142 lei  6-8 săpt.
  Taylor & Francis – 28 mar 2004 76142 lei  6-8 săpt.

Preț: 33640 lei

Preț vechi: 38677 lei
-13% Nou

Puncte Express: 505

Preț estimativ în valută:
6438 6792$ 5365£

Carte tipărită la comandă

Livrare economică 02-16 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781138256347
ISBN-10: 113825634X
Pagini: 258
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Recenzii

'This is a thorough presentation of the work in hand...' Early Music Review 'Kassler's magisterial command of her subject ensures a valuable and welcome addition to scholarship on seventeenth-century English music theory and, especially, the role of music in the scientific revolution.' British Journal for the History of Philosophy 'A brilliant book.' Archives Internationales D'Histoire des Sciences 'This book certainly ought to persuade readers that the first English (i.e. vernacular) publication claiming to treat music 'philosophically' was taken seriously by the educated elite in Newtonian Britain. And like so many of Kassler's earlier publications, this study also draws attention to a wealth of material pertaining to the culture of early modern British science that most professional academics in this field have still never looked at, much less tried to understand.' British Journal for the History of Science

Cuprins

Illustrations, Prefatory Note and Acknowledgments, Abbreviations, 1 Introduction to A Philosophical Essay o.f Musick (1677), 2 The System of the Essay, 3 The Critics of the Essay, Conclusion, Appendix A: Editions, Appendix B: Some 'Ingenious Acquaintances' of Francis North, References, Index of Names, Index of Subjects

Descriere

In 1677 a slim quarto volume was published anonymously as A Philosophical Essay of Musick. Written by Francis North (1637-85), chief justice of the Common Pleas, the Essay is in the form of a legal case argued from an hypothesis. Utilising the pendulum as his hypothesis, North provided a rationale from mechanics for the emerging new musical practice we now call 'tonality'. He also made auditory resonance the connecting link between acoustical events in the external world and the musical meanings the mind makes on the basis of sensory perception. Thus began the modern philosophy of music that culminated with the work of Hermann von Helmholtz. As a step towards understanding this tradition, Jamie C. Kassler examines the 1677 Essay in its historical context. After assessing three seventeenth-century criticisms of it and outlining how one critic developed some implications in the Essay, she summarises the basic principles that have guided the modern philosophy of music from its beginnings in the 1677 Essay. The book includes an annotated edition of the Essay as well as the comments of the three critics.