The Birth of Tragedy: Out of the Spirit of Music
Autor Friedrich Nietzsche Editat de Michael Tanner Traducere de Shaun Whitesideen Limba Engleză Paperback – 26 mai 1993
This landmark work of criticism is fuelled by Nietzsche's enthusiasms for Greek tragedy, the philosophy of Schopenhauer and the music of Wagner, to whom the book was dedicated. Nietzsche outlined a distinction between two central forces in art: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction,The Birth of Tragedyhas become a key text in European culture.
Translated by Shaun Whiteside
Edited by Michael Tanner
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Specificații
ISBN-13: 9780140433395
ISBN-10: 0140433392
Pagini: 160
Dimensiuni: 129 x 198 x 9 mm
Greutate: 0.12 kg
Ediția:Revised
Editura: Penguin Books
Colecția Penguin Classics
Locul publicării:London, United Kingdom
ISBN-10: 0140433392
Pagini: 160
Dimensiuni: 129 x 198 x 9 mm
Greutate: 0.12 kg
Ediția:Revised
Editura: Penguin Books
Colecția Penguin Classics
Locul publicării:London, United Kingdom
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Notă biografică
Friedrich
Nietzsche
was
born
near
Leipzig
in
1844,
the
son
of
a
Lutheran
clergyman.
At
24
he
was
appointed
to
the
chair
of
classical
philology
at
Basle
University,
where
he
stayed
until
forced
by
his
health
to
retire
in
1879.
Here,
he
wrote
all
his
literature,
including
Thus
Spake
Zarathustra,
and
developed
his
idea
of
the
Superman.
He
became
insane
in
1889
and
remained
so
until
his
death
in
1900.
Shaun Whiteside has translated widely from French, German and Italian. Michael Tanner is a Fellow of Corpus Christi College, Cambridge. He is particularly interested in Wagner and Nietzsche.
Shaun Whiteside has translated widely from French, German and Italian. Michael Tanner is a Fellow of Corpus Christi College, Cambridge. He is particularly interested in Wagner and Nietzsche.
Cuprins
Descriere
Descriere de la o altă ediție sau format:
'Yes, what is Dionysian? - This book provides an answer - "a man who knows" speaks in it, the initiate and disciple of his god.'The Birth of Tragedy (1872) is a book about the origins of Greek tragedy and its relevance to the German culture of its time. For Nietzsche, Greek tragedy is the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche undertakes a critique of the complacent rationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. In its wide-ranging discussion of the nature of art, science and religion, Nietzsche's argument raises important questions about the problematic nature of cultural origins which are still of concern today. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
'Yes, what is Dionysian? - This book provides an answer - "a man who knows" speaks in it, the initiate and disciple of his god.'The Birth of Tragedy (1872) is a book about the origins of Greek tragedy and its relevance to the German culture of its time. For Nietzsche, Greek tragedy is the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche undertakes a critique of the complacent rationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. In its wide-ranging discussion of the nature of art, science and religion, Nietzsche's argument raises important questions about the problematic nature of cultural origins which are still of concern today. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.