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The Bloomsbury Introduction to Postmodern Realist Fiction: Resisting Master Narratives

Autor Professor T.V. Reed
en Limba Engleză Paperback – 21 apr 2021
Postmodern realist fiction uses realism-disrupting literary techniques to make interventions into the real social conditions of our time. It seeks to capture the complex, fragmented nature of contemporary experience while addressing crucial issues like income inequality, immigration, the climate crisis, terrorism, ever-changing technologies, shifting racial, sex and gender roles, and the rise of new forms of authoritarianism. A lucid, comprehensive introduction to the genre as well as to a wide variety of voices, this book discusses more than forty writers from a diverse range of backgrounds, and over several decades, with special attention to 21st-century novels. Writers covered include: Kathy Acker, Chimamanda Ngozi Adiche, Julia Alvarez, Sherman Alexie, Gloria Anzaldua, Margaret Atwood, Toni Cade Bambara, A.S. Byatt, Octavia Butler, Angela Carter, Ana Castillo, Don DeLillo, Junot Diaz, Jennifer Egan, Awaeki Emezi, Mohsin Hamid, Jessica Hagedorn, Maxine Hong Kingston, Ursula K. Le Guin, Daisy Johnson, Bharati Mukherjee, Toni Morrison, Vladimir Nabokov, Tommy Orange, Ruth Ozeki, Ishmael Reed, Eden Robinson, Salman Rushdie, Jean Rhys, Leslie Marmon Silko, Art Spiegelman, Kurt Vonnegut, and Jeannette Winterson, among others.
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Specificații

ISBN-13: 9781350010802
ISBN-10: 1350010804
Pagini: 288
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Companion website includes links to resources on postmodern writers and thinkers, timelines, a glossary of terms and essay and discussion questions

Notă biografică

T.V. Reed is Buchanan Distinguished Professor Emeritus at Washington State University, USA. His recent books include The Art of Protest: Culture and Activism from the Civil Rights Movement to the Present (2019) and Digitized Lives: Culture, Power and Social Change in the Internet Era (2019). Reed also curates the web matrix culturalpolitics.net.

Cuprins

AcknowledgmentsA Note on Usage1 IntroductionTerminal ConfusionPostmodernist RealismIs Postmodernism a Zombie?How to Use This Book2 Postmodern Conditions andPostmodernist StylesPostmodern Economic, Political, and Social ConditionsPostmodernist Aesthetic Approaches, Styles, and Techniques3 Identities: Mysteries of the SelfDeconstructing the Self: Kathy Acker's Don Quixote (1986)Detecting the Self: Jonathan Lethem's Motherless Brooklyn (1999)Hybrid Selves: Gloria Anzaldúa's Borderlands/La Frontera (1987)Th e Abstract Self: Don DeLillo's Cosmopolis (2003)Th e Terrorized Self: Mohsin Hamid's The ReluctantFundamentalist (2007)Self as Community: Toni Cade Bambara's The Salt Eaters (1980)The Selfless Self: Ruth Ozeki's A Tale for the Time Being (2013)4 Bodies: Refl ective Surfacesand Fluid BordersScripted Sex: Jeannette Winterson's Writing the Body (1993)Beauty and the Beastly Gaze: Jeffrey Eugenides's The VirginSuicides (1993)Winged Delights: Angela Carter's Nights at the Circus (1984)Life Is a Freakshow: Katherine Dunn's Geek Love (1989)The Cyborg Body: Shelley Jackson's Patchwork Girl (1995)Oedipus Trans*: Daisy Johnson's Everything Under (2017)Body as Multitude: Akwaeki Emezi's Freshwater (2018)5 Postmodern Families: Reimagining KinshipConsuming Families: Don DeLillo's White Noise (1985)Family as Talk-Story: Maxine Hong Kingston's The WomanWarrior (1976)Postmodern Matriarchy: Ana Castillo's So Far from God (1993)Family Curses and Geek Masculinity: Junot Diaz's The BriefWondrous Life of Oscar Wao (2008)Kinship and Lost Time: Jennifer Egan's A Visit from the GoodSquad (2010)Indigenous Gothic, Sasquatch, and Community as Family:Eden Robinson's Monkey Beach (2000)6 (meta)Histories: The Past as PresentChained to History: Toni Morrison's Beloved (1987)Of Butterfl ies and Dictators: Julia Alverez's In the Timeof the Butterfl ies (1994)Unstuck in Time: Kurt Vonnegut's Slaughterhouse Five (1969)Neo-Hoodoo History: Ishmael Reed's Mumbo Jumbo (1972)Challenging Dead-eye Dog: Leslie Silko's Almanacof the Dead (1999)7 Re-Visions: Novels Rewriting NovelsDecolonizing the Literary Past: Jean Rhys's Wide SargassoSea (1966)Globalizing the Past: Bharati Mukherjee's The Holder of theWorld (1993)Sacred Revisions: Salman Rushdie's The Satanic Verses (1988)Re-envisioning the Postmodern University: A. S. Byatt'sPossession (1990)Dark Hearts: Jessica Hagedorn's Dream Jungle (2003)Reds, Whites, and Reservation Blues: Sherman Alexie'sLone Ranger and Tonto Fistfight in Heaven (1993)8 True Lies: Nonfiction Novels andAutofictionsEmpire's Tracks: Maxine Hong Kingston's China Men (1980)History as a Novel, the Novel as History: Norman Mailer'sArmies of the Night (1968)Historical Sideshow: Brian Fawcett's Cambodia: A Book forPeople Who Find Television Too Slow (1986)Graphic Trauma: Art Spiegelman's Maus (1986)Crude Awakenings: Olivia Laing's Crudo (2018)9 Displacements: Exiles, Diasporas,and ReturnsForeigners in Their Own Land: Tommy Orange'sThere There (2018)Migrant Doors of Reception: Mohsin Hamid's Exit West (2017)An Epidemic of Displacements: Rabih Alamenddine'sKoolaids: Th e Art of War (1998)Exiled to Home: Chimamanda Ngozi Adichie's Americanah(2013)10 Futures? Digital Dangers and ClimateCrisesMulti-mediated Horror: Mark Z. Danielewski's House ofLeaves (2000)Decoding Capitalism: Scarlett Th omas's PopCo (2014)Engendering the Future: Jeanette Winterson'sFrankissstein (2019)Afrojujuism: Nnedi Okorafor's Lagoon (2014)Postcolonial Outer Space: Rosario Sanchez and BeatricePita's Lunar Braceros (2009)Surveillance States, Biotech, and Climate Crises: MargaretAtwood's MaddAddam Trilogy (2003, 2009, 2013)NotesBibliographyIndex

Recenzii

T.V. Reed is a formidable champion, both theoretically and in the realm of textual or cultural analyses, for the centrality of the referential function of aesthetic postmodernism. His Bloombury Introduction to Postmodern Realist Fiction exemplifies such critical efforts through its masterful and compelling presentation of this unique but less often elucidated or theorized dimension of the postmodern interventionary politics. By the example of his surveys and discussions, Reed shows convincingly why postmodern realist fiction-a mode of aesthetic experimentalism emerging out of the mid-1960s-is a representational instrument ideally suited for engaging the vital concerns of America's late capitalist culture, as well as for legitimizing subaltern struggles, voices, and aspirations.