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The Book of Imitation and Desire: Reading Milan Kundera with Rene Girard de Dr. Trevor Cribben Merrill

The Book of Imitation and Desire: Reading Milan Kundera with Rene Girard

Autor Dr. Trevor Cribben Merrill
en Limba Engleză Paperback – 22 oct 2014
Trevor Cribben Merrill offers a bold reassessment of Milan Kundera's place in the contemporary canon. Harold Bloom and others have dismissed the Franco-Czech author as a maker of "period pieces" that lost currency once the Berlin Wall fell. Merrill refutes this view, revealing a previously unexplored dimension of Kundera's fiction. Building on theorist René Girard's notion of "triangular desire," he shows that modern classics such as The Unbearable Lightness of Being and The Book of Laughter and Forgetting display a counterintuitive-and bitterly funny-understanding of human attraction.Most works of fiction (and most movies, too) depict passionate feelings as deeply authentic and spontaneous. Kundera's novels and short stories overturn this romantic dogma. A pounding heart and sweaty palms could mean that we have found "the One" at last-or they could attest to the influence of a model whose desires we are unconsciously borrowing: our amorous predilections may owe less to personal taste or physical chemistry than they do to imitative desire. At once a comprehensive survey of Kundera's novels and a witty introduction to Girard's mimetic theory, The Book of Imitation and Desire challenges our assumptions about human motive and renews our understanding of a major contemporary author.
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Specificații

ISBN-13: 9781628925234
ISBN-10: 162892523X
Pagini: 208
Dimensiuni: 140 x 216 x 12 mm
Greutate: 0.25 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

Clearly and wittily introduces the notion of imitative desire but without resorting to theoretical jargon

Notă biografică

Trevor Cribben Merrill is Lecturer in French at the California Institute of Technology and sits on the Research Committee of Imitatio: Integrating the Human Sciences. He studied literature at Yale University and the Ecole Normale Supérieure and went on to receive his doctorate in French Studies from UCLA, USA, where he was a Chancellor's Fellow. A two-time fellow of the Association Recherches Mimétiques in Paris, he has co-edited a book of essays by René Girard and collaborated on Psychopolitics (Michigan State University Press, 2012), a dialogue with psychiatrist Jean-Michel Oughourlian.

Cuprins

Foreword by Andrew McKennaAuthor's PrefaceI. "WOMEN LOOK FOR MEN WHO HAVE HAD BEAUTIFUL WOMEN" II. INTO THE LABYRINTH OF VALUES 1. The Transfiguration of the Object 2. Metamorphoses of Kristyna 3. "An Imitation of Feeling" III. FROM IMITATION TO RIVALRY 1. The Shift from Admiration to Envy 2. Deceit, Desire, and the Plight of the Aging Don Juan 3. Rivalry and the Transfiguration of the Object 4. "The Younger Sister Imitated the Elder" 5. Publish or Perish IV. THE MODEL AS OBSTACLE 1. Strategies of Revelation 2. The Art of Polyphonic Comparison 3. A Little Theory of Resentment 4. Litost in the Underground V. JEALOUSY AND ITS METAPHORS 1. The Game Gone Awry 2. The Metaphors of Jealousy 3. "A Test That Gauged Her Susceptibility To Seduction"VI. THE QUADRILLE OF DESIRE 1. Sex as Theater 2. Acute Rivalry and Homosexual Attraction 3. The Geometry of Sadomasochism VII. AT THE HEART OF THE LABYRINTH 1. "The Thousand-Headed Dragon"2. "The Cement of their Brotherhood"3. The Two Temptations4. "The Absolute Denial of Shit" 5. First Time As Tragedy, Second Time As Farce VIII. REPUDIATING THE MODEL 1. Eduard's Smile 2. From Hatred to Compassion 3. Karenin's Smile 4. The Birth of a Novelist 5. Liberating Exiles IX. TOMAS IN COLONUS, OR THE WISDOM OF THE NOVEL Postscript: A Response to Elif BatumanAppendix: A Brief Overview of Kundera's Life and WorksNotesBibliographyIndex

Recenzii

The contribution that Trevor Merrill's book makes is at least threefold: it sheds new light on the work of one of our era's strongest novelists; it extends and confirms the literary reach of René Girard's main hypotheses; and it helps us to better understand our own existence. And it does all of this in a style that's clear, precise, and elegant. What more could be asked of a major work of literary criticism?
In the same way that according to Galileo "Nature's great book is written in mathematical language", Trevor Merrill argues brilliantly that Milan Kundera's oeuvre is written in terms of René Girard's theory of mimetic, triangular desire. What is remarkable is that Kundera himself was unaware of the existence of the theory when he wrote his first novels. Had he been, he would by his own admission have found himself unable to write them. What is even more remarkable is that this structural kinship once revealed does add to the beauty of Kundera's works in the same way that Newton's or Einstein's equations make Nature even more astounding. This is a great book about a great writer and a great theory, in which the three vertices of the triangle enhance one another.
With clear and persuasive style Trevor Cribben Merrill's The Book of Imitation and Desire successfully rescues Milan Kundera from the unjust expulsion he suffered, at the hand of Harold Bloom, from the pantheon of the 20th century canonic authors. By compellingly arguing about the infinite perceptiveness of Kundera's novels in relation to the Quixotesque adventures of our eternally mediated desires, Merrill offers an illuminating and enriching new perspective on the opus of the Czech writer. The Girardian lens, rather than straitjacketing the psychological complexity of Kundera's works, as many have argued, opens up new critical perspectives and a new understanding of the author of The Book of Laughter and Forgetting. Pace Bloom, in the pantheon of the novelistic geniuses set by Girard's seminal Deceit, Desire and the Novel, Merrill's excellent book suggests, a place should now be reserved for Milan Kundera.