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The Catholic Side of Henry James: Cambridge Studies in American Literature and Culture, cartea 61

Autor Edwin Sill Fussell
en Limba Engleză Paperback – 28 ian 2009
The Catholic Side of Henry James reveals the profound Catholic imagery in the work of Henry James. Edwin Fussell questions conventional critical assumptions about James' secularity and shows that James' career began with narratives of Catholic conversion and ended with his masterpiece of Catholic eccentricity and alienation, The Golden Bowl. The interplay of men and women, of America and Europe - those acknowledged Jamesian themes - comes to be overlaid with the interplay between Protestant and Catholic. Fussell's examination ranges from James' early reviews of religious books for the Nation and early tales like 'De Grey: A Romance' through much of the canon, along the way re-examining James' overlooked play Guy Domville and climaxing with a magnificent reading of The Golden Bowl, convincingly demonstrating James' involvement with Catholic themes.
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Specificații

ISBN-13: 9780521100588
ISBN-10: 0521100585
Pagini: 192
Dimensiuni: 152 x 229 x 11 mm
Greutate: 0.29 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Studies in American Literature and Culture

Locul publicării:New York, United States

Cuprins

Preface; Calendar: chief items of Catholic interest in Henry James; Documentation; Part I. Bibliographical Leads, Historical Considerations; Part II. Representing Catholicity: 1. The Protestant base; 2. Liberalism; 3. The picturesque; 4. The question of religious audience; 5. Sacred seculars in the tales; 6. Sacred seculars: novel, letter, and notebook; 7. Death and literary form; Part III. The Narratives of Catholic Conversion: 1. Watch and Ward (1871); 2. Italian sketches and Italian tales (1870–5); 3. Roderick Hudson (1875); 4. The American (1876–7); 5. Attenuations: The Reverberator (1888); 6. Supersubtlety one: What Maisie Knew (1897); 7. Supersubtlety two: The Turn of the Screw (1898); Part IV. Pas de quatre: 1. Catholicity neat: 'Gabrielle de Bergerac' (1869); 2. Secularizing Catholicity: 'The Altar of the Dead' (1895); 3. Protestantizing Catholicity: 'The Great Good Place' (1900); 4. Satirizing secularity: 'The Birthplace (1903); Part V. The Catholic Ménage as Literary Space: 1. 'De Grey: A Romance' (1868); 2. Guy Domville (1893, 1895); 3. The Golden Bowl (1904): the crown of his career; Part VI. 'Prove that I'm Not!' - Toward the Impossibility of Interpretation; Notes; Index.

Recenzii

"Fussell's own style is Jamesian in wit and perceptiveness." Ronda Chervin, New Oxford Review
"I am grateful to Fussell, one of our most subtle readers of American literature, for his close reading of the Catholic elements. Fussell does not believe that James embraced Catholicism, but he does demonstrate in a careful manner the 'fascination' the religion held for him." Irving Malin, The Henry James Review
"The Catholic Side of Henry James, although quirky, extends our own tolerance for the mysteries embedded in James's cultural quest as well as for hermeneutic criticism of this sort, which bravely attempts to solve those mysteries--and sometimes creates new ones in the process." Peter Bien, English Literature in Transition, 1880-1920
"...one of the most thought-provoking aspects of Fussell's perceptive and knowledgeable book is the way it implicitly interrogates time-honored affiliates between American fiction and the great good places of Protestant self-reliance and freedom." Paul Giles, Nineteenth-Century Literature
"The Catholic Side of Henry James is a significant contribution to the field of James Studies." Religion and the Arts

Descriere

The Catholic Side of Henry James reveals the profound Catholic imagery in the work of Henry James.