The Caucasian Chalk Circle: Penguin Modern Classics
Autor Bertolt Brecht Editat de Eric Bentleyen Limba Engleză Paperback – 4 iul 2007
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Specificații
ISBN-13: 9780141189161
ISBN-10: 0141189169
Pagini: 144
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.12 kg
Ediția:Kenya ed.
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 0141189169
Pagini: 144
Dimensiuni: 129 x 198 x 8 mm
Greutate: 0.12 kg
Ediția:Kenya ed.
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
Notă biografică
Bertold
Brecht
(1898-1956)
is
one
of
Germany's
best-known
playwrights.
His
social
critiques,
includingThe
Caucasian
Chalk
Circle,
Mother
Courage
and
Her
ChildrenandThe
Threepenny
Opera,
resonate
with
modern
audiences
and
continue
to
be
frequently
performed.
Eric Bentley, one of the foremost authorities on the modern theatre, is a recognized playwright, critic and scholar, and a longtime intimate of Brecht. His most recent book isBentley on Brecht.
Eric Bentley, one of the foremost authorities on the modern theatre, is a recognized playwright, critic and scholar, and a longtime intimate of Brecht. His most recent book isBentley on Brecht.
Caracteristici
Featuring an expert commentary and notes to help students and teachers, this is the most comprehensive and authoritative edition of the play available
Recenzii
'an adept new translation by Alistair Beaton'
'The Caucasian Chalk Circle, written in 1944 while he was in exile from Germany, gives some epic illumination to socialist ideas about ownership and injustice. But more than that it's a story about love winning out over endemic corruption'
The play is translated, with political wit and crisp clarity, by Alistair Beaton . . . The result is a Chalk Circle which makes an unarguable case for the continued relevance both of Brecht's theatrical aesthetics and his allegorical subject matter.
Alistair Beaton's sharp rhythmic translation finds a contemporary relevance too, but not intrusively so.
'The Caucasian Chalk Circle, written in 1944 while he was in exile from Germany, gives some epic illumination to socialist ideas about ownership and injustice. But more than that it's a story about love winning out over endemic corruption'
The play is translated, with political wit and crisp clarity, by Alistair Beaton . . . The result is a Chalk Circle which makes an unarguable case for the continued relevance both of Brecht's theatrical aesthetics and his allegorical subject matter.
Alistair Beaton's sharp rhythmic translation finds a contemporary relevance too, but not intrusively so.