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The Child: New York Review Books Classics

Autor Jules Valles Douglas Parmee
en Limba Engleză Paperback – 31 dec 2004
The Child is a story about growing up that is comparable in humor and humanity to Great Expectations, even as its unflinching exposure of violence and hypocrisy foreshadows the nightmare realsim of Louis-Ferdinand Céline. Jules Vallès, an anarchist and a bohemian, dedicated his book "to all those who were bored stiff at school or reduced to tears at home, who in childhood were bullied by their teachers or thrashed by their parents," and it tells the (autobiographical) tale of a young boy constantly scapegoated and abused, emotionally and physically, by his peasant mother and schoolteacher father, whose greatest concern is to improve their social status. But the young hero learns to stand up to his parents, even to love them, in time, and for all the intense pain the book registers it is anything but dreary. To the contrary, Vallès’s book is one of the funniest in French literature, a triumph of insubordinate comedy over the forces of order and the self-appointed defenders of decency.
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Specificații

ISBN-13: 9781590171172
ISBN-10: 1590171179
Pagini: 320
Dimensiuni: 130 x 204 x 20 mm
Greutate: 0.39 kg
Ediția:New.
Editura: NEW YORK REVIEW OF BOOKS
Seria New York Review Books Classics

Locul publicării:United States

Notă biografică

Jules Vallès (1832ߝ1885), French writer and revolutionary, is most famous for his trilogy of autobiographical novels: L’Enfant (The Child), Le Bachelier (The Graduate), and L’Insurgé (The Insurgent). Through Vallès’s alter ego, Jacques Vingtras, the books describe the writer’s difficult childhood as the abused son of a schoolteacher, his rejection of his classical education and growing admiration for the peasant class, and finally his bohemian life in Paris as a militant journalist and pamphleteer. Vallès grew up in the provinces and came to Paris to study as a young man. Forced by his family to return home, he soon rebelled against his socially ambitious father and returned to the capital. There Vallès associated with other young radicals and published articles in various left-wing newspapers under a series of pseudonyms, which nevertheless failed to protect him from government persecution. Vallès led protests against the repressive policies of Napoleon III and played a significant role in the Paris Commune of 1871; his newspaper, Le Cri du Peuple (The Cry of the People), became the mouthpiece of the revolt. After the defeat of the Commune, Vallès was exiled for nine years, which he spent mostly in London, writing articles and composing his autobiographical trilogy. Upon his return to Paris, he resurrected Le Cri and spent the last five years of his life working furiously on articles, pamphlets, and the last book of his trilogy.

Douglas Parmée (1914ߝ2008) was a lecturer in modern languages at Cambridge and a Lifetime Fellow of Queens’ College. He translated many works of classic and contemporary literature from French, Italian, and German, receiving the Scott Moncrieff Prize for French translation in 1976. NYRB Classics publishes his translations of The Child by Jules Vallès, Afloat by Guy de Maupassant, and Nature Stories by Jules Renard.

Recenzii

"[Vallès] is a more reliable witness of his society, or at least certain sectors of it, than many more renowned but less involved writers of his age."
— Walter D. Redfern, Times Literary Supplement

"Essentially autobiographical, Vallès’s 19th-century novel charts the author’s experience of growing up in an emotionally distant family obsessed with social status."
The Guardian

"The author of The Child is one of the masters of French prose. There’s no denying that. But his work shouldn’t be considered an exercise in virtuosity. It has an exact and terrible significance. His work stands as an act of liberation. Vallès is the man who liberates us from the family, who liberates us from our father and our mother, who says to us: 'judge them and, if there is cause to, condemn them'.”
— Maurice Barrès

"A true book, a book composed of the most exact, the most poignant human documents. It’s been ten years since a work has moved me to such a degree."
— Émile Zola