The Chrysalids: S.F. Masterworks
Autor John Wyndhamen Limba Engleză Hardback – 9 iun 2016
David's father doesn't approve of Angus Morton's unusually large horses, calling them blasphemies against nature. And blasphemies, as everyone knows, should be burned: KEEP PURE THE STOCK OF THE LORD; WATCH THOU FOR THE MUTANT. Little does he realise that his own son - and his son's cousin Rosalind and their friends - have their own secret aberration which would label them as mutants.
And mutants, as everyone knows, should be burned. But as David and Rosalind grow older it becomes more difficult to conceal their differences from the village elders. Soon they face a choice: wait for eventual discovery - and death - or flee to the terrifying and mutable Badlands .
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Paperback (5) | 46.53 lei 26-32 zile | +14.95 lei 7-13 zile |
Penguin Books – 6 iun 2018 | 46.53 lei 26-32 zile | +14.95 lei 7-13 zile |
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NEW YORK REVIEW OF BOOKS – 30 sep 2008 | 90.72 lei 3-5 săpt. | |
Hardback (1) | 62.87 lei 3-5 săpt. | +31.37 lei 7-13 zile |
Orion Publishing Group – 9 iun 2016 | 62.87 lei 3-5 săpt. | +31.37 lei 7-13 zile |
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Specificații
ISBN-10: 1473212685
Pagini: 208
Dimensiuni: 130 x 204 x 20 mm
Greutate: 0.28 kg
Editura: Orion Publishing Group
Seria S.F. Masterworks
Notă biografică
John Wyndham Parkes Lucas Beynon Harris was the son of a barrister, who started writing short stories in 1925. During the war he was in the civil service and then the army. In 1946 he went back to writing stories for publication in the USA and decided to try a modified form of science fiction, which he called 'logical fantasy'. As John Wyndham, he is best-known as the author of The Day of the Triffids, but he wrote many other successful novels including The Kraken Wakes, The Chrysalids and The Midwich Cuckoos (filmed as Village of the Damned).
Recenzii
"Sometimes you just need a bit of soft-core sci-fi, and Wyndham’s 1950’s classic, newly back in print, fully delivers." --Thicket Magazine
"It is quite simply a page-turner, maintaining suspense to the very end and vividly conjuring the circumstances of a crippled and menacing world, and of the fear and sense of betrayal that pervade it. The ending, a salvation of an extremely dubious sort, leaves the reader pondering how truly ephemeral our version of civilization is..." --The Boston Globe
“[Wyndham] was responsible for a series of eerily terrifying tales of destroyed civilisations; created several of the twentieth century's most imaginative monsters; and wrote a handful of novels that are rightly regarded as modern classics.” ߝThe Observer (London)
“Science fiction always tells you more about the present than the future. John Wyndham's classroom favourite might be set in some desolate landscape still to come, but it is rooted in the concerns of the mid-1950s. Published in 1955, it's a novel driven by the twin anxieties of the cold war and the atomic bomb…Fifty years on, when our enemy has changed and our fear of nuclear catastrophe has subsided, his analysis of our tribal instinct is as pertinent as ever.” ߝThe Guardian (London)
“[A]bsolutely and completely brilliant…The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.” ߝThe Ottawa Citizen
“John Wyndham's novel The Chrysalids is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference - in this case, of genetic mutations in the aftermath of nuclear war - finds its echoes in every society.” ߝThe Scotsman
“The Chrysalids comes heart-wrenchingly close to being John Wyndham's most powerful and profound work.” ߝSFReview.net
“Re-Birth (The Chrysalids) was one of the first science fiction novels I read as a youth, and several times tempted me to take a piggy census. Returning to it now, more than 30 years later, I find that I remember vast parts of it with perfect clarity…a book to kindle the joy of reading science fiction. ߝSciFi.com
“A remarkably tender story of a post-nuclear childhood…It has, of course, always seemed a classic to most of its three generations of readers...It has become part of a canon of good books.” ߝThe Guardian, September 15, 2000