The Cinema of Disorientation
Autor Dominic Lashen Limba Engleză Paperback – 30 mai 2022
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Specificații
ISBN-13: 9781474462785
ISBN-10: 1474462782
Pagini: 208
Ilustrații: 30 B/W illustrations
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: EDINBURGH UNIVERSITY PRESS
ISBN-10: 1474462782
Pagini: 208
Ilustrații: 30 B/W illustrations
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: EDINBURGH UNIVERSITY PRESS
Notă biografică
Dominic Lash is a film scholar and musician. His writing on film has appeared in Screen, Movie: A Journal of Film Criticism, and Cinergie. He has taught film studies at the Universities of Bristol and Reading, and at King's College London.
Cuprins
List of figures
Acknowledgements
Introduction
Prospectus
Part One: Confusion as Fusion: metalepsis, completeness, and coherence
1. Metalepsis in film and its implications
2. Genres within genres within genres: nested narrative and metalepsis
3. "Disappeared where it's real hard to disappear": three ways of getting lost in INLAND EMPIRE
4. Achieving coherence: diegesis and death in Holy Motors
Part Two: Disorientating Figures and Figures of Disorientation
5. Figuring (out) films: figuration in narrative cinema
6. Distinguishing the indistinguishable: figures of imperceptibility and impossibility in Lost Highway and Caché
7. Homes for displaced figures: Pedro Costa's Colossal Youth
8. Sink or swim: immersing ourselves in Jean-Luc Godard's Adieu au langage
Conclusion: Method-free orientation
Appendix: Colossal Youth scene breakdown
Bibliography
Filmography
Notes
Index
Acknowledgements
Introduction
Prospectus
Part One: Confusion as Fusion: metalepsis, completeness, and coherence
1. Metalepsis in film and its implications
2. Genres within genres within genres: nested narrative and metalepsis
3. "Disappeared where it's real hard to disappear": three ways of getting lost in INLAND EMPIRE
4. Achieving coherence: diegesis and death in Holy Motors
Part Two: Disorientating Figures and Figures of Disorientation
5. Figuring (out) films: figuration in narrative cinema
6. Distinguishing the indistinguishable: figures of imperceptibility and impossibility in Lost Highway and Caché
7. Homes for displaced figures: Pedro Costa's Colossal Youth
8. Sink or swim: immersing ourselves in Jean-Luc Godard's Adieu au langage
Conclusion: Method-free orientation
Appendix: Colossal Youth scene breakdown
Bibliography
Filmography
Notes
Index