The Classical Mandolin: Early Music Series
Autor Paul Sparksen Limba Engleză Paperback – 3 noi 2005
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 352.38 lei 31-37 zile | |
Oxford University Press – 3 noi 2005 | 352.38 lei 31-37 zile | |
Hardback (1) | 938.96 lei 31-37 zile | |
Clarendon Press – 5 apr 1995 | 938.96 lei 31-37 zile |
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Specificații
ISBN-13: 9780195173376
ISBN-10: 0195173376
Pagini: 240
Ilustrații: 17 music examples, 27 halftones
Dimensiuni: 239 x 183 x 18 mm
Greutate: 0.51 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Early Music Series
Locul publicării:New York, United States
ISBN-10: 0195173376
Pagini: 240
Ilustrații: 17 music examples, 27 halftones
Dimensiuni: 239 x 183 x 18 mm
Greutate: 0.51 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Early Music Series
Locul publicării:New York, United States
Notă biografică
Paul Sparks is a freelance writer and performer.
Recenzii
It is essential reading, of course, for anyone interested in the mandolin, and to those it is highly recommended. It is also . . . recommended to anybody who is not so blinkered that they can read only books on their own speciality. If you are aware enough of musical instruments to be open to those in which you do not specialise, then you will gain from reading this.
Sparks gives an excellent and readable account of the makers, leading players, composers and their music, journals, mandolin orchestras, organisations, and phenomenal popularity of the mandolin during its heyday. Anyone concerned with the history of plucked musical instruments or with the history of music in the nineteenth century will want to consult this sequel to The Early Mandolin.
Once again, Paul Sparks has presented us with an utterly unique book. Taking up where his The Early Mandolin (Oxford University Press, co-written with James Tyler) left off, The Classical Mandolin continues the story of the instrument . . . thoroughly documented, finely presented, with copious illustrations . . . Sparks' fine sense for both words and history makes the book entertaining and challenging.
J'avais dit au sujet du premier livre de cet auteur "s'il est un seul livre que vous devez posséder sur la mandoline et en particulier sur son histoire, c'est bien celui-ci . . ." Eh bien, The Early Mandolin a aujourd'hui un petit frère pour lequel le même compliment s'applique, et c'est la suite de l'histoire de la mandoline, de 1815 à nos jours . . . cet ouvrage qui, on le voit, est réellement indispensable.
Sparks gives an excellent and readable account of the makers, leading players, composers and their music, journals, mandolin orchestras, organisations, and phenomenal popularity of the mandolin during its heyday. Anyone concerned with the history of plucked musical instruments or with the history of music in the nineteenth century will want to consult this sequel to The Early Mandolin.
Once again, Paul Sparks has presented us with an utterly unique book. Taking up where his The Early Mandolin (Oxford University Press, co-written with James Tyler) left off, The Classical Mandolin continues the story of the instrument . . . thoroughly documented, finely presented, with copious illustrations . . . Sparks' fine sense for both words and history makes the book entertaining and challenging.
J'avais dit au sujet du premier livre de cet auteur "s'il est un seul livre que vous devez posséder sur la mandoline et en particulier sur son histoire, c'est bien celui-ci . . ." Eh bien, The Early Mandolin a aujourd'hui un petit frère pour lequel le même compliment s'applique, et c'est la suite de l'histoire de la mandoline, de 1815 à nos jours . . . cet ouvrage qui, on le voit, est réellement indispensable.