The Colour of Milk
Autor Nell Leyshonen Limba Engleză Paperback – mai 2013
'this is my book and i am writing it by my own hand'
The year is eighteen hundred and thirty one when fifteen-year-old Mary begins the difficult task of telling her story. A scrap of a thing with a sharp tongue and hair the colour of milk, Mary leads a harsh life working on her father's farm alongside her three sisters. In the summer she is sent to work for the local vicar's invalid wife, where the reasons why she must record the truth of what happens to her - and the need to record it so urgently - are gradually revealed.
'Haunting, distinctive voices... Mary's spare simple words paint brilliant pictures in the reader's mind . . . Nell Leyshon's imaginative powers are considerable'Independent
'Brontë-esque undertones . . . a disturbing statement on the social constraints faced by 19th-century women'FT
'A small tour de force - a wonderfully convincing voice, and a devastating story told with great skill and economy' Penelope Lively
'I loved it.The Colour of Milkis charming, Brontë-esque, compelling, special and hard to forget. I loved Mary's voice - so inspiring and likeable. Such a hopeful book' Marian Keyes
'Brilliant, devastating and unforgettable'Easy Living
Nell Leyshon's first novel,Black Dirt, was longlisted for the Orange Prize, and shortlisted for the Commonwealth prize. Her plays includeComfort me with Apples,which won an Evening Standard Award, andBedlam, which was the first play written by a woman for Shakespeare's Globe. She writes for BBC Radio 3 and 4, and won the Richard Imison Award for her first radio play. Nell was born in Glastonbury and lives in Dorset.
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Specificații
ISBN-13: 9780241959541
ISBN-10: 0241959543
Pagini: 176
Dimensiuni: 131 x 198 x 11 mm
Greutate: 0.14 kg
Editura: Penguin Books
Colecția Penguin
Locul publicării:London, United Kingdom
ISBN-10: 0241959543
Pagini: 176
Dimensiuni: 131 x 198 x 11 mm
Greutate: 0.14 kg
Editura: Penguin Books
Colecția Penguin
Locul publicării:London, United Kingdom
Notă biografică
Nell
Leyshon's
first
novel,Black
Dirt,
was
long-listed
for
the
Orange
Prize,
and
shortlisted
for
the
Commonwealth
prize.
Her
plays
includeComfort
me
with
Apples,which
won
an
Evening
Standard
Award,
andBedlam,
which
was
the
first
play
written
by
a
woman
for
Shakespeare's
Globe.
She
writes
for
BBC
Radio
3
and
4,
and
won
the
Richard
Imison
Award
for
her
first
radio
play.
Nell
was
born
in
Glastonbury
and
lives
in
Dorset.
Recenzii
Shocking
and
haunting.
Read
it,
in
one
sitting
Charming, Brontë-esque, compelling, special and hard to forget. I loved it
A small tour de force - a wonderfully convincing voice, and a devastating story told with great skill
Starts deceptively quietly, describing a life of rural hardships and limited prospects, but bit by bit, letter by letter, it reveals a world of potential that is shattered by human fallibility
Astounding . . . one of the most compelling narrators I've ever encountered
It is once in a blue moon that an author creates a voice quite as alive and as startling as Mary's. Leyshon deserves to be showered with awards
Brilliant, devastating and unforgettable
Spare and beautifully crafted, compelling. Like a love letter to the power of words
An astounding read. Like the best bits of Hardy'sTess of the D'Ubervilles . . .Mary is one of the most compelling narrators I've ever encountered . . . packs a powerful punch . . . a very British gem
I loved it. Charming, Brontë-esque, compelling, special and hard to forget. I loved Mary's voice - so inspiring and likeable. Such a hopeful book
Haunting, distinctive voices. Mary's spare simple words paint brilliant pictures in the reader's mind. Leyshon's imaginative powers are considerable
Leyshon is a master of domestic suspense . . . Slender but compelling, the charm is to be found as much in its spare, evocative style as in the moving candour of its narrator
Charming, Brontë-esque, compelling, special and hard to forget. I loved it
A small tour de force - a wonderfully convincing voice, and a devastating story told with great skill
Starts deceptively quietly, describing a life of rural hardships and limited prospects, but bit by bit, letter by letter, it reveals a world of potential that is shattered by human fallibility
Astounding . . . one of the most compelling narrators I've ever encountered
It is once in a blue moon that an author creates a voice quite as alive and as startling as Mary's. Leyshon deserves to be showered with awards
Brilliant, devastating and unforgettable
Spare and beautifully crafted, compelling. Like a love letter to the power of words
An astounding read. Like the best bits of Hardy'sTess of the D'Ubervilles . . .Mary is one of the most compelling narrators I've ever encountered . . . packs a powerful punch . . . a very British gem
I loved it. Charming, Brontë-esque, compelling, special and hard to forget. I loved Mary's voice - so inspiring and likeable. Such a hopeful book
Haunting, distinctive voices. Mary's spare simple words paint brilliant pictures in the reader's mind. Leyshon's imaginative powers are considerable
Leyshon is a master of domestic suspense . . . Slender but compelling, the charm is to be found as much in its spare, evocative style as in the moving candour of its narrator
Textul de pe ultima copertă
Mary and her three sisters rise every day to backbreaking farm work that threatens to suppress their own awakening desires, whether it's Violet's pull toward womanhood or Beatrice's affinity for the Scriptures. But it's their father, whose anger is unleashed at the slightest provocation, who stands to deliver the most harm. Only Mary, fierce of tongue and a spitfire since birth, dares to stand up to him. When he sends her to work for the local vicar and his invalid wife in their house on the hill, he deals her the only blow she may not survive.
Within walking distance of her own family farm, the vicarage is a world away–a curious, unsettling place unlike any she has known. Teeming with the sexuality of the vicar's young son and the manipulations of another servant, it is also a place of books and learning–a source of endless joy. Yet as young Mary soon discovers, such precious knowledge comes with a devastating price as it is made gradually clear once she begins the task of telling her own story.
Reminiscent of Alias Grace in the exploration of the power dynamics between servants and those they serve and The Color Purple's Celie, The Colour of Milk is a quietly devastating tour de force that reminds us that knowledge can destroy even as it empowers.
Within walking distance of her own family farm, the vicarage is a world away–a curious, unsettling place unlike any she has known. Teeming with the sexuality of the vicar's young son and the manipulations of another servant, it is also a place of books and learning–a source of endless joy. Yet as young Mary soon discovers, such precious knowledge comes with a devastating price as it is made gradually clear once she begins the task of telling her own story.
Reminiscent of Alias Grace in the exploration of the power dynamics between servants and those they serve and The Color Purple's Celie, The Colour of Milk is a quietly devastating tour de force that reminds us that knowledge can destroy even as it empowers.