The Creative Worlds of Joseph Joachim

Introduction: The Creative Worlds of Joseph Joachim Robert Whitehouse Eshbach PART ONE: Identity 1. "Of the Highest Good": Joachim's Relationship to Mendelssohn R. Larry Todd 2. Joseph Joachim and His Jewish Dilemma Styra Avins 3. Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice Mineo Ota PART TWO: Joachim as Performer4. Joachim's Violins: Spotlights on Some of Them Ruprecht Kamlah 5. (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven Karen Leistra-Jones 6. "Thou That Hast Been in England Many a Year": The British Joachim Ian Maxwell 7. Joachim at the Crystal Palace Michael Musgrave 8. "Music Was Poured by Perfect Ministrants": Joseph Joachim at the Monday Popular Concerts, London Therese Ellsworth 9. "Das Quartett-Spiel ist doch wohl mein eigentliches Fach": Joseph Joachim and the String Quartet Robert Riggs 10. Professor Joachim and His Pupils Sanna Pederson 11. Performers as Authors of Music History: Joseph and Amalie Joachim Beatrix Borchard 12. At the Intersection of Performance and Composition: Joseph Joachim and Brahms's Piano Quartet in A Major, Op. 26, Movement III William P. Horne PART THREE: Joachim as Composer 13. Re-considering the Young Composer-Performer Joseph Joachim, 1841-53 Katharina Uhde 14. "Franz Liszt gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3 Vasiliki Papadopoulou 15. Drama and Music in Joachim's Overture to Shakespeare's Henry IV Valerie Woodring Goertzen 16. "So Gleams the Past, the Light of Other Days": Joachim's Hebräische Melodien for Viola and Piano, Op. 9 (1853) Marie Sumner Lott 17. Tovey's View of Joachim's "Hungarian" Violin Concerto Robert Riggs Bibliography Index